`````Sweet Carrie Monroe.= I will give but one more example of Julia's exquisite word painting, and then after a word or two relative to her style generally I will close. After speaking tearfully of her life as a child, she says:= ```My childhood days have passed and gone, ````And it fills my heart with pain, ```To think that youth will never more` ```Return to me again. ```And now, kind friends, what I have wrote` ```I hope you will pass o'er, ```And not criticize, as some have done, ````Hitherto herebefore.= I know that it ill becomes me to assume the prerogative of criticizing a poet's style or even to suggest any improvements, but sometimes an outsider may be able to stand off as it were and see little defects in a masterpiece which the author can not see. My idea would be to take these poems and remove the crown sheet, then put in new running gear, upset and bush the pitman, kalsomine the boiler plate, drill new holes in the eccentric, rim out the gas pipe, raise the posterior eccentric to a level with the gang plank, slide the ash pan forward of the monkey wrench, securing it by draw bars to the topgallant mizzen. Then, throwing open the condenser and allowing the cerebellum to rest firmly against the vicarious whippety-whop, fair time may be made on a gentle grade. If I were to suggest anything further it would be that Julia have entire change of air and surroundings. Michigan is too healthy for an ambitious obituary poet. She naturally has too much time on her hands. Let her go into the yellow fever districts next summer, where she can work in two or three of her cheerful little funeral odes every morning before breakfast. That's the place for her. It may kill her, but if it should we will trust in Providence to raise up some inspired idiot to take her place. We will struggle along anyway with George Francis Train and Denis Kearney and Dr. Mary Walker, even if Julia joins the glad throng of poets who let their hair grow long and kick up their heels in the green fields of Eden. One more suggestion which will, I know, be accepted as coming from one who never says anything but in the kindest spirit. I think that Julia takes advantage of her poetic license. A poetic license, as I understand it, simply allows the poet to jump the 15 over the 14 in order to bring in the proper rhyme, but it does not allow the writer to usurp the management of the entire system of worlds, and introduce dog-days and ice-cream between Christmas and New Year. It does not in any way allow the contractor of prize funeral puffs to sandwich a tropical evening with the scent of orange blossom and mignonette, in between two December days in Michigan, that would freeze the lightning rods off the houses, and when the owners of cast iron dogs have to bring them in, and stand them behind the parlor stove.