Still, it is one of the drawbacks incident to greatness. We struggle hard through life that we may win the confidence of our fellow-men, only at last to have pictures of ourselves printed and distributed where they will injure us. I desire to add before closing this letter, Mr. Vilas, that with those who are acquainted with you and know your sterling worth, these portraits will make no difference. We will not allow them to influence us socially or politically. What the effect may be upon offensive partisans who are total strangers to you, I do not know. My theory in relation to these cuts is, that they are combined and interchangeable, so that, with slight modifications, they are used for all great men. The cut, with the extras that go with it, consists of one head with hair (front view), one bald head (front view), one head with hair (side view), one bald head (side view), one pair eyes (with glasses), one pair eyes (plain), one Roman nose, one Grecian nose, one turn-up nose, one set whiskers (full), one moustache, one pair side-whiskers, one chin, one set large ears, one set medium ears, one set small ears, one set shoulders, with collar and necktie for above, one monkey-wrench, one set quoins, one galley, one oil-can, one screwdriver. These different features are then arranged so that a great variety of clergymen, murderers, senators, embezzlers, artists, dynamiters, humorists, arsonists, larcenists, poets, statesmen, base ball players, rinkists, pianists, capitalists, bigamists and sluggists are easily represented. No newspaper office should be without them. They are very simple, and any child can easily learn to operate it. They are invaluable in all cases, for no one knows at what moment a revolting crime may be committed by a comparatively unknown man, whose portrait you wish to give, and in this age of rapid political transformations, presentations and combinations, no enterprising paper should delay the acquisition of a combined portrait for the use of its readers. [Illustration: 0224] Hoping that you are well, and that you will at once proceed to let no guilty man escape, I remain, Yours truly, Bill Nye. THE OLD SOUTH. The Old South Meeting House, in Boston, is the most remarkable structure in many respects to be found in that remarkable city. Always eager wherever I go to search out at once the gospel privileges, it is not to be wondered at, that I should have gone to the Old South the first day after I landed in Boston.