must denominate this intermediate faculty in all its degrees and
determinations, the IMAGINATION. But, in common language, and especially
on the subject of poetry, we appropriate the name to a superior degree
of the faculty, joined to a superior voluntary control over it.
Contemporaneity, then, being the common condition of all the laws of
association, and a component element in the materia subjecta, the
parts of which are to be associated, must needs be co-present with all.
Nothing, therefore, can be more easy than to pass off on an incautious
mind this constant companion of each, for the essential substance of
all. But if we appeal to our own consciousness, we shall find that
even time itself, as the cause of a particular act of association, is
distinct from contemporaneity, as the condition of all association.
Seeing a mackerel, it may happen, that I immediately think of
gooseberries, because I at the same time ate mackerel with gooseberries
as the sauce. The first syllable of the latter word, being that which
had coexisted with the image of the bird so called, I may then think
of a goose. In the next moment the image of a swan may arise before
me, though I had never seen the two birds together. In the first two
instances, I am conscious that their co-existence in time was the
circumstance, that enabled me to recollect them; and equally conscious
am I that the latter was recalled to me by the joint operation of
likeness and contrast. So it is with cause and effect: so too with
order. So I am able to distinguish whether it was proximity in time, or
continuity in space, that occasioned me to recall B on the mention of A.
They cannot be indeed separated from contemporaneity; for that would
be to separate them from the mind itself. The act of consciousness is
indeed identical with time considered in its essence. I mean time per
se, as contra-distinguished from our notion of time; for this is always
blended with the idea of space, which, as the opposite of time, is
therefore its measure. Nevertheless the accident of seeing two objects
at the same moment, and the accident of seeing them in the same place
are two distinct or distinguishable causes: and the true practical
general law of association is this; that whatever makes certain parts of
a total impression more vivid or distinct than the rest, will determine
the mind to recall these in preference to others equally linked together
by the common condition of contemporaneity, or (what I deem a more
appropriate and philosophical term) of continuity. But the will itself
by confining and intensifying [25] the attention may arbitrarily give
vividness or distinctness to any object whatsoever; and from hence we
may deduce the uselessness, if not the absurdity, of certain recent
schemes which promise an artificial memory, but which in reality can
only produce a confusion and debasement of the fancy. Sound logic, as
the habitual subordination of the individual to the species, and of
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account