Biographical notice of Nicolo Paganini: With an analysis of his compositions, and a sketch of the history of the violin.Fétis, François-Joseph
History
Biographical notice of Nicolo Paganini: With an analysis of his compositions, and a sketch of the history of the violin.
Fétis, François-Joseph
Paganini, Nicolò, 1782-1840; Violin -- History
It is afterwards that his adventure at Ferrara occurs;
and the 16th of August of the following year he gives concerts at
Parma, as confirmed by M. Gervasoni. Returning to Florence, he remains
there during 1812, where, at the beginning of 1813, the affair takes
place which drives him from Court. In the same year he gives thirteen
concerts at Milan. In 1814 he is at Genoa, his native place. He then
returns to Milan, gives eleven concerts there, and proceeds to Bologna,
where he meets Rossini. In 1815, he makes his second professional
tour in Romagna, and plays at Ancona, returning again to his native
place. In March, 1816, he goes to hear Lafont at Milan, receives the
challenge, gives concerts, and proceeds to Venice in the summer of the
same year. He remains there nearly a year, according to the report of
a correspondent of the “Leipziger Musikalische Zeitung,” from which
period until his death the public journals teem with accounts of his
brilliant successes. It is manifest, and beyond contradiction, that
during an existence constantly before the public, no period can be
found where he could have suffered a detention of eight years, or even
the time necessary for undergoing a criminal procedure. Paganini, with
the design of confounding his vilifiers, should have collected the
testimonies of those he had known previously to and during all this
period, and have published the chronological table which has been thus
sketched: the whole matter would then have been set at rest.
Human credulity is prone to feed on outrageous absurdities. Not only
was his dignity as a man attacked, for endeavours were ever made to
deprive him of this, and to grant him only a fantastic existence. The
almost insuperable difficulties he had overcome as a violinist, were
not the only motives which gave birth to the reports circulated. The
extraordinary expression of his face, his livid paleness, his dark and
penetrating eye, together with the sardonic smile which occasionally
played upon his lips, appeared to the vulgar, and to certain diseased
minds, unmistakable evidences of satanic origin. It has been seen by
his letter, which has been given _in extenso_, what he himself related
on that subject. But these ridiculous ideas were not entertained in
Germany only, for there are traces of them even in Italy, and they
probably had some effect upon the difficulties which attended his
obsequies. M. Amati, a distinguished writer, has furnished M. Schottky
with an anecdote which has reference to his acquaintance with Paganini
at Florence. It will be seen what impression the extraordinary aspect
of this singular being had upon nervous temperaments. Thus speaks the
narrator:--“Near the gate of Pitti, at Florence, there is a steep hill,
on the summit of which stands the ancient Fiesole, formerly the rival
of the capital of Tuscany, but divested of its former splendour. Here
the purest air is inhaled, and the beauty of the prospect produces
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account