Biographical notice of Nicolo Paganini: With an analysis of his compositions, and a sketch of the history of the violin.Fétis, François-Joseph
History
Biographical notice of Nicolo Paganini: With an analysis of his compositions, and a sketch of the history of the violin.
Fétis, François-Joseph
Paganini, Nicolò, 1782-1840; Violin -- History
“The portraits which accompanied your letter have given me great
pleasure. I had seen in the papers all the accounts you give me of
yourself. You may imagine, as your mother, what an infinite source of
joy it was to me. Dear son, I entreat you to continue to inform me of
all that concerns you, for with this assurance I shall feel that it
will prolong my days, and be convinced that I shall still have the
happiness of embracing you.
“We are all well. In the name of all your relations, I thank you for
the sums of money you have sent. Omit nothing that will render your
name immortal. Eschew the vices of great cities, remembering that
you have a mother who loves you affectionately, and whose fondest
aspirations are your health and happiness. She will never cease her
supplications to the All-powerful for your preservation.
“Embrace your amiable companion for me, and kiss little Achille. Love
me as I love you.
“Your ever affectionate mother,
“TERESA PAGANINI.”
This letter was not necessary to prove to reasoning mortals that the
great artist was not a son of Satan. But the ignorant mass listens not
to reason, nor are its superstitious beliefs easily removed. Opinion
in France did justice to these follies, but they seemed to revive
afterwards, and acquired renewed strength after the decease of him who
had been so calumniated during his life.
Nothing could be more variable than the moral dispositions of Paganini;
at one time melancholy and taciturn, passing several hours seated,
without uttering a word; at another, he would give himself entirely
up to unrestrained gaiety, without any apparent motive for either the
one or the other. He seldom spoke much; but while travelling, the
movement of the carriage rendered him loquacious. Mr. George Harrys,
who lived for some time on terms of intimacy with him, and who has
published some curious details on his private life,[O] states that his
bad health rendered his speaking aloud extremely painful, but when the
noise of the wheels rattling over the stones was almost deafening, he
spoke loudly and rapidly. It was not, as with most persons, the beauty
of the country through which he passed that made him communicative,
for he paid no attention to the lovely landscapes which met his eye in
every direction; rapid transit seemed to be his only aim; but there
was something in the rolling of the coach which made conversation
a necessity. His constant suffering did not permit him to enjoy a
beautiful country, where others dwelt who were blessed with health.
Besides, he was always cold, and even at a summer heat of twenty-two
degrees he wrapped his large cloak around him, and ensconced himself
in a corner of a carriage, with the windows hermetically closed. By
a singular contradiction, he invariably kept all the windows of his
apartments wide open, to take, as he called it, an air bath. He cursed
the climate of Germany, of France, and above all of England, saying
Public-domain text, read in full here on John Shaqi.
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