"Mr. Renfrew," he stammered, "Mr. Renfrew--I--I--" His throat abruptly
ached and choked. He felt his face distort in a spasm of uncontrollable
grief. He turned quickly from this strange old man with a remote sarcasm
in his eyes and a remote affection in his tones. Peter clenched his
jaws, his nostrils spread in his effort stoically to bottle up his grief
and remorse, like a white man; in an effort to keep from howling his
agony aloud, like a negro. He stood with aching throat and blurred eyes,
trembling, swallowing, and silent.
Presently Nan Berry opened the door. She held a half-burned paper in her
hand; Dr. Jallup stood near the bed, portioning out some calomel and
quinine. The prevalent disease in Hooker's Bend is malaria; Dr. Jallup
always physicked for malaria. On this occasion he diagnosed it must be a
very severe attack of malaria indeed, so he measured out enormous doses.
He took a glass of the water that Viny had brought, held up old
Caroline's head, and washed down two big capsules into the already
poisoned stomach of the old negress. His simple face was quite
inscrutable as he did this. He left other capsules for Nan to administer
at regular intervals. Then he and Captain Renfrew motored out of
Niggertown, out of its dust and filth and stench.
At four o'clock in the morning Caroline Siner died.
CHAPTER VI
When Nan Berry saw that Caroline was dead, the black woman dropped a
glass of water and a capsule of calomel and stared. A queer terror
seized her. She began such a wailing that it aroused others in
Niggertown. At the sound they got out of their beds and came to the
Siner cabin, their eyes big with mystery and fear. At the sight of old
Caroline's motionless body they lifted their voices through the night.
The lamentation carried far beyond the confines of Niggertown. The last
gamblers in the cedar glade heard it, and it broke up their gaming and
drinking. White persons living near the black crescent were waked out of
their sleep and listened to the eerie sound. It rose and fell in the
darkness like a melancholy organ chord. The wailing of the women
quivered against the heavy grief of the men. The half-asleep listeners
were moved by its weirdness to vague and sinister fancies. The dolor
veered away from what the Anglo-Saxon knows as grief and was shot
through with the uncanny and the terrible. White children crawled out of
their small beds and groped their way to their parents. The women
shivered and asked of the darkness, "_What_ makes the negroes howl
so?"
Public-domain text, read in full here on John Shaqi.
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