Coming to the open again, he probed the darkness as well as he could to
gain some idea of the ranch which furnished and supported all these
evidences of prosperity. But so far as he could make out, there was only
a jumble of ragged hilltops behind the house, and before it the slope
fell away steeply to the valley far below. He had not realized before
that they had climbed so high or so far.
Joe Pollard was humming. Terry joined him on the way to the house with a
deepened sense of awe; he was even beginning to feel that there was a
touch or two of mystery in the make-up of the man.
Proof of the solidity with which the log house was built was furnished at
once. Coming to the house, there was only a murmur of voices and of
music. The moment they opened the door, a roar of singing voices and a
jangle of piano music rushed into their ears.
Terry found himself in a very long room with a big table in the center
and a piano at the farther end. The ceiling sloped down from the right to
the left. At the left it descended toward the doors of the kitchen and
storerooms; at the right it rose to the height of two full stories. One
of these was occupied by a series of heavy posts on which hung saddles
and bridles and riding equipment of all kinds, and the posts supported a
balcony onto which opened several doors--of sleeping rooms, no doubt. As
for the wall behind the posts, it, too, was pierced with several
openings, but Terry could not guess at the contents of the rooms. But he
was amazed by the size of the structure as it was revealed to him from
within. The main room was like some baronial hall of the old days of war
and plunder. A role, indeed, into which it was not difficult to fit the
burly Pollard and the dignity of his beard.
Four men were around the piano, and a girl sat at the keys, splashing out
syncopated music while the men roared the chorus of the song. But at the
sound of the closing of the door all five turned toward the newcomers,
the girl looking over her shoulder and keeping the soft burden of the
song still running.
CHAPTER 23
So turned, Terry could not see her clearly. He caught a glimmer of red
bronze hair, dark in shadow and brilliant in high lights, and a sheen of
greenish eyes. Otherwise, he only noted the casual manner in which she
acknowledged the introduction, unsmiling, indifferent, as Pollard said:
"Here's my daughter Kate. This is Terry--a new hand."
It seemed to Terry that as he said this the rancher made a gesture as of
warning, though this, no doubt, could be attributed to his wish to
silently explain away the idiosyncrasy of Terry in using his first name
only. He was presented in turn to the four men, and thought them the
oddest collection he had ever laid eyes on.
Public-domain text, read in full here on John Shaqi.
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