So that was that! One night's respite. He'd leave her at her door. He wondered if his voice had been as impersonal as her own: he had almost barked into the telephone and had probably overdone it. But was any man ever in such a ghastly position before? Well, he'd lose the game before he'd make a fool of himself again. . . . Ass . . . he'd had the game in his own hands last night . . . could have switched off any moment. He'd let go and delivered himself into hers. He took a cold shower, and made a meticulous toilet. When he arrived at the house he was shown into the drawing-room. He had never seen it before and he glanced about him with some curiosity. It was a period room: Louis Quinze. The furniture looked as if made of solid gold and Madame Du Barry herself might have sat on the dainty brocades. The general effect was airy and graceful, gay, frivolous, and subtly vicious. (An emanation to which the chaste Victorian had been impervious.) He understood why Madame Zattiany did not use it. She might be subtly anything, but assuredly she was neither airy nor frivolous. Then he realized that there was a painting of a girl over the mantel and that the girl was Mary Ogden. He stepped forward eagerly, almost holding his breath. The portrait ended at the tiny waist, and the stiff satin of the cuirass-like bodice was softened with tulle which seemed to float about the sloping shoulders. The soft ashen hair, growing in a deep point on the broad full brow, was brushed softly back and coiled low on the long white neck. The mouth was soft and pouting, with a humorous quirk at the corners, and the large dark gray eyes were full of a mocking light that seemed directed straight into the depths of his puzzled brain as he stood gazing at that presentment of a once potent and long vanished beauty. . . . Extraordinarily like and yet so extraordinarily unlike! But the resemblance may have well been exact when Mary Zattiany was twenty. How had Mary Ogden looked at thirty? That very lift of the strong chin, that long arch of nostril . . . something began to beat in the back of his brain. . . . "What a beauty poor Mary must have been, no?" He turned, and forgot the portrait. Madame Zattiany wore a gown of that subtle but unmistakable green that no light can turn blue; thin shimmering velvet to the knees, melting into satin embroidered with silver and veiled with tulle. On her head was a small diamond tiara and her breast was a blaze of emeralds and diamonds. She carried a large fan of green feathers. He had believed he had measured the extent of her beauty, but the crown gave her a new radiance--and she looked as attainable as a queen on her throne. He went forward and raised her hand to his lips. "I insist," he said gallantly. "Anything else would be out of the picture. I need not tell you how wonderful you look--nor that after tonight you will hardly remain obscure!"