American fiction -- 20th century; Bohemianism -- Fiction
Sometimes a song crazily drifted to Carl’s ears from one of the negro
cottages--a song that was weighted with loosely undulating sadness--and
he listened with a stern greediness. Music is a huge, treacherous
sound made by thoughts and emotions to console them for their feeling
of minute mortality, and after it has given them its dream of
permanent size it disappears, slaying the illusion with silence. Now
it brought a delusion of substantiality to the ghost within the mould
of Carl’s flesh and he listened in a trance of gratitude. Lost in the
obliterations of his grief, he felt infinitely nearer to these abject,
musical negroes outside than to the artificially silent, stiffly
satisfied white people with whom he was riding. Grief, which is an
insane tyrant among emotions, has an effortless way of crossing all
boundaries and walls, but it does not reveal any hidden oneness between
human beings. Grief places men and women in a vacuum of renunciation,
or shows them that they have little connection with the people around
them and that they have been enduring an alien camp. Ruled by this
latter discovery, Carl looked with an undisguised hatred at the formal,
complacent white people in the railway coach and felt that he was
deeply related to the negroes outside.
Almost three months had passed since the invisible knife had swung
into the middle of his being, and since he had staggered across the
agitated sincerity of night to the peaceful compassion of the young
school teacher. Now and then he remembered their silent walk down the
sturdy brightness of the country road--a silence which had been a soft
wreath ironically thrown upon the weakness of words--and the troubled
way in which she had helped him brush his clothes and wash his face,
and the stumbling simplicity of the words with which she had tried to
comfort him. Although he had been a stranger to her, she had thrown
aside that distrust which is born of sensual pride and a cheaply
purchased worldly wisdom, influenced by the helpless directness of
his demeanor and by the supple humility which a grief of her own had
once left within her. The force of her fearlessness had fallen upon
him like the sweeping touch of another world, and in his daze he had
actually believed that she had been sent by the woman whom he had lost
as an alert messenger striving to teach him how to hold his ghostlike
shoulders up beneath a future burden. If she had held a human aspect
to him he would have hated and reviled her, for then she would have
been merely an atom in the vast, turbid reality that had slowly lured
him to an imbecilic torture. He accepted the curves of her body as
an unearthly visitation and possessed them as one who passes through
a fragile ritual. But after his departure from her, as he once more
walked down the shaggy, solid country road, she had tiptoed away from
him with a spectral quickness, and the clamor of a world had once more
attacked him, like the scattered falsehoods of an idiot.
Public-domain text, read in full here on John Shaqi.
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