General Stanley, after marrying late in life, had been some years a
widower--a widower with two daughters, his co-heiresses. The elder of
these young ladies was a hopeless invalid, slightly deformed, and so
little attractive in person, or desirous to attract, that there was
every prospect of the noble fortunes of the General centring in her
sister. Yet this sister, this girl, had little need of such an
accession to her charms; for she was one of those fortunate beings
endowed not only with beauty and excellence, but with a power of
pleasing not always united with even a combination of merit and
loveliness.
Every body agreed that Mary Stanley was charming. Old and young, rich
and poor, all loved her, all delighted in her. It is true, the good
rector's maiden sisters privately hinted to me their horror of the
recklessness with which--sometimes with her sister, oftener without,
but wholly unattended--she drove her little pony-chaise through the
village, laughing like a madcap at pranks of a huge Newfoundland dog
named Sergeant, the favourite of General Stanley, which, while
escorting the young ladies, used to gambol into the cottages, overset
furniture and children, and scamper out again amid a general uproar.
For though Miss Mary was but sixteen, the starched spinsters decided
that she was much too old for such folly; and that, if the General
intended to present her at court, it was high time for her to lay
aside the hoyden manners of childhood.
But, as every one argued against them, why should this joyous, bright,
and beautiful creature lay aside what became her so strangely? Mary
Stanley was not made for the formalities of what is called
high-breeding. Her light, easy, sinuous figure, did not lend itself to
the rigid deportment of a prude; and her gay laughing eyes, and
dimpled mouth, were ill calculated to grace a dignified position. The
long ringlets of her profuse auburn hair were always out of
order--either streaming in the wind, or straying over her white
shoulders--her long lashes and beautifully defined eyebrows of the
same rich tint, alone preserving any thing like uniformity--a
uniformity which, combined with her almost Grecian regularity of
features, gave her, on the rare occasions when her countenance and
figure were at rest, the air of some nymph or dryad of ancient
sculpture. But to compare Mary Stanley to any thing of marble is
strangely out of place; for her real beauty consisted in the
ever-varying play of her features, and a certain impetuosity of
movement, that would have been a little characteristic of the romp,
but that it was restrained by the spell of feminine sensibility. Heart
was evidently the impulse of every look and every gesture.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account