What is London? Walk into Lombard Street, and ask the Merchant;
he will tell you at once--the Docks and the Custom-House, Lloyd's
and the Bank, the Exchange, Royal or Stock. Drive your cab to
the Carlton, and learn that it is Pall-mall and the Clubs, St
James's and the Parks, Almack's and the Opera. Carry your question
and your fee together to legal chambers, and be told that it is
Westminster and Chancery Lane, Lincoln's Inn and the Temple. All
that remains of mankind, that is not to be numbered in these several
categories, will tell you it is a huge agglomeration of houses and
shops, churches and theatres, markets and monuments, gas-pipes and
paving-stones. Believe none--Yes, believe them all! We make our
London, as we make our World, out of what attracts and interests
ourselves. Few are they who behold in this vast metropolis a
many-paged volume, abounding in instruction, offering to historian
and philosopher, poet and antiquary, a luxuriant harvest and
never-failing theme. We consider London, with reference to what
it is and may become, not to what it has been. The present and
the future occupy us to the exclusion of the past. We perambulate
the great arteries of the Monster City, from Tyburn to Cornhill,
from Whitechapel to the Wellington statue, and our minds receive
no impression, save what is directly conveyed through our eyes; we
pass, unheeding, a thousand places and objects rich in memories of
bygone days, of strange and stirring events--great men long since
deceased, and customs now long obsolete. We care not to dive into
the narrow lanes and filthy alleys, where, in former centuries, sons
of Genius and the Muses dwelt and starved; we seek not the dingy
old taverns where the wit of our ancestors sparkled; upon the spot
where a hero fell or a martyr perished, we pause not to gaze and
to recall the memories of departed virtue and greatness. We are a
matter-of-fact generation, too busy in money-getting to speculate
upon the past. So crowded has the world become, that there is scarce
standing-room; and even the lingering ghosts of olden times are
elbowed and jostled aside. It is the triumph of the tangible and
positive over the shadowy and poetical.
Public-domain text, read in full here on John Shaqi.
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