Blackwood's Edinburgh Magazine, Vol. 63, No. 388, February 1848Various
History
Blackwood's Edinburgh Magazine, Vol. 63, No. 388, February 1848
Various
England -- Periodicals; Scotland -- Periodicals
At midnight the sparks flew fast in the headsman’s smithy, and the
wondrous weapon was prepared. The Swede might well have found it useful
in the severe action between his countrymen and the Imperialists, which
took place the following day within sound and sight of the city. The
battle over, Count Philipps and Hildebrand rode up to Hannadam’s
dwelling; and the Count, whose vassal the headsman was, demanded
admittance and lodging. Hildebrand showed some repugnance to enter the
house of the executioner. “No need to fear,” said the Count. “According
to imperial charter, the headsman’s office is honourable; and, moreover,
he and his household will have sufficient sense not to touch us. His
bread, his wine, his meat do not defile those partaking them, neither
does his roof dishonour those it covers. But you must have the goodness
to see to our horses yourself. At the worst, my nobility is good enough
to shield us from stain even in the knacker’s dwelling.”[5] So the count
and the leech take up their quarters in the house of Hannadam, whose
wife is no other than that beautiful Adelgunde, with whom Hildebrand had
been deeply in love, and whom he had now long mourned as dead. She had
been tried at Cologne on a charge of witchcraft, having been detected
gathering mandragora at midnight beneath the gallows, and had been put
to the torture; but Hannadam, to whose lot it fell to inflict it, was
touched by her beauty, and handled her gently. In a conversation with
Count Philipps, he explains to him how it is in the executioner’s power
greatly to aggravate or lighten the agony he is ordered to inflict.
Finally, Hannadam marries her, in virtue of the privilege already
exemplified in the story of Berthold Benz. She is a somnambulist, and
having seen her former lover enter the house, (although her husband does
all in his power to keep her from sight of him, and even confines her in
her room,) she gets up in the night, and by a most perilous path across
the roof of the house, reaches Hildebrand’s chamber, bearing with her
the sword of her husband’s manufacture, which she gives to her lover,
bidding him use and conquer with it. Taking little heed of the supposed
power attributed to the weapon, Hildebrand nevertheless girds it on, and
the next day joins Colonel Madelon’s regiment of cuirassiers. Distracted
at finding Adelgunde the wife of another man, he covets death, and
resolves to seek it in action. The count unwillingly parts with him, on
condition of his returning that evening to his post. But evening comes,
the fight is over, the wounded count looks anxiously for his leech, and
Hildebrand appears not. The cuirassiers are far away, pursuing the
beaten foe.
Footnote 5:
The office of knacker (_Schinder, Abdecker_), in recent times often
united with that of public executioner, was formerly exercised by his
knaves and subordinates, (German, _henkersknechte_; French, _Valets de
Bourreau_) and was held especially infamous.
Public-domain text, read in full here on John Shaqi.
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