There can be no doubt about the disappointment of those persons who open
_The Pillars of Hercules_ in expectation of finding what the title
promises—a narrative of travel in Spain and Morocco. These countries are
certainly mentioned here and there in the two bulky octavos, but quite
subordinately to a variety of other matters which had perhaps better
been treated elsewhere than in the professed book of travels they cumber
and overload. Mr Urquhart, who has published volumes and pamphlets on
innumerable subjects, social and political, foreign and domestic,
appears to have had by him a heterogeneous mass of essays and
dissertations, which he has now strung, pretty much at random, upon the
slender thread of his Spanish-African ramble. Wearisomely discursive and
desultory, he continually canters off to distant regions, and to
subjects foreign to his text. Thus we have a chapter on the invention
and antiquity of glass; another concerning the magnetic needle; a third
and fourth, in which we are taken to America, Ceylon, China, and other
remote places; one about the celebrated drug hashish, which temporarily
transports its votaries into paradise. This is presently succeeded by a
dissertation on buttered muffins; and shortly thereafter we arrive at a
long essay on the early races of Spain and Mauritania, which we take for
granted to be exceedingly learned and important, and which we are quite
sure is awfully heavy and uninteresting. Etymology is a hobby of this
author’s, and the portions of his work devoted to it would, of
themselves, make a good-sized volume, by whose separation the book would
be greatly lightened and advantaged. On the subject of corporal
purification he grows positively eloquent and impassioned; and so minute
are his descriptions of the scrubbing and scraping processes, by which
alone men become fit to live, that he very rightly deems a prefatory
apology essential. On this head more anon. We pause, for a specimen of
solemn trifling, at Chapter Nine, Book the First, Volume the First.
Nominally an “Excursion round the Straits,” it is actually an essay on
costume, commencing with Spanish petticoats, giving a passing glance to
the history and origin of lace, asserting the identity of the Moorish
and Highland garb, and closing with an argument in favour of the
importance and moral influence of a national dress. The chapter opens
with praises of Cadiz, a city so long accustomed to rhyme with “ladies,”
that it will hardly feel surprise or annoyance at Mr Urquhart’s
attributing its charm less to the beauty of its buildings than to the
“swarm of women,” with “fluttering eyes,” and “silk blonde tresses,”
covering the floor of the cathedral. From tresses to dresses the
transition is easy, and he proceeds to discourse upon the mantilla: not
a very novel subject certainly, but one upon which he, nevertheless,
contrives to cast some new lights—lights that would, we suspect, rather
Public-domain text, read in full here on John Shaqi.
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