Blackwood's Edinburgh Magazine, Vol. 68, No 420, October 1850Various
History
Blackwood's Edinburgh Magazine, Vol. 68, No 420, October 1850
Various
England -- Periodicals; Scotland -- Periodicals
MRS HAZELDEAN to Miss Jemima.--"Is that the note you were to write for
me?"
MISS JEMIMA.--"Yes, I supposed you did not care about seeing it, so I
have sealed it, and given it to George."
MRS HAZELDEAN.--"But Frank will pass close by the Casino on his way to
the Leslies'. It may be more civil if he leaves the note himself."
MISS JEMIMA hesitatingly.--"Do you think so?"
MRS HAZELDEAN.--"Yes, certainly. Frank--Frank--as you pass by the
Casino, call on Mr Riccabocca, give this note, and say we shall be
heartily glad if he will come."
Frank nods.
"Stop a bit," cried the Squire. "If Rickeybockey's at home, 'tis ten to
one if he don't ask you to take a glass of wine! If he does, mind, 'tis
worse than asking you to take a turn on the rack. Faugh! you remember,
Harry?--I thought it was all up with me."
"Yes," cried Mrs Hazeldean, "for heaven's sake, not a drop! Wine
indeed!"
"Don't talk of it," cried the Squire, making a wry face.
"I'll take care, sir!" said Frank, laughing as he disappeared within
the stable, followed by Miss Jemima, who now coaxingly makes it up with
him, and does not leave off her admonitions to be extremely polite
to the poor foreign gentleman, till Frank gets his foot into the
stirrup; and the pony, who knows whom he has got to deal with, gives a
preparatory plunge or two, and then darts out of the yard.
MILITARY LIFE IN NORTH AFRICA.[16]
In days of national antipathy, now happily bygone, it was a vulgar
English prejudice that Frenchmen were great only as cooks and
dancing-masters. In popular belief, the fiddle and the frying-pan were
their insignia, pirouettes and fricassees their highest achievements.
Peace and steam have exploded these exaggerated notions in the minds
even of the least intelligent. They would be inexcusable in the days
of cheap excursions to Paris and electric telegraphs beneath the
billows of the Channel. Moreover, Englishmen have learned to rival
what they once contemned; native talent has been encouraged; Britain
glories in cooks who will lower their culinary flag to no foreign
kickshaw-compounder that ever stirred a sauce or frothed a _soufflé_;
and in professors of the choregraphic who would scorn to be excelled by
any Gaul that ever carried a kit. A higher standard has been fixed for
the capacity of Frenchmen. Rivalled in cookery and capers, their claims
are admitted to first-rate excellence in two nobler sciences--the
military, namely, and the dramatic. Sometimes they unite the two.
Witness Napoleon, the greatest warrior and most consummate actor
France can boast. Certainly Frenchmen show nowhere to such advantage
as on the stage or in the field, by the light of the foot-lamps or
through the smoke of the bivouac. So strongly, indeed, are they imbued
with the military and dramatic essences, that these are continually
perceptible when they are engaged in pursuits of a most opposite
character. The conscription and national-guard system give to the whole
Public-domain text, read in full here on John Shaqi.
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