Blackwood's Edinburgh magazine, Vol. 75, No. 462, April 1854Various
History
Blackwood's Edinburgh magazine, Vol. 75, No. 462, April 1854
Various
England -- Periodicals; Scotland -- Periodicals
It appears to have been the custom, rarely deviated from by the
puppet-shows of any nation or time, to have a comic character or
buffoon, who intruded, even in the most tragical pieces, to give by
his jests variety and relief to the performance. There was nothing odd
or startling in this in the Middle Ages, when every great
personage—emperor, king, or prelate—had his licensed jester attached
to his household. M. Magnin is in some doubt as to the name first
given to this character in Germany, unless it was Eulenspiegel (a name
which in modern times has acquired some celebrity as a literary
pseudonyme), or rather Master Hemmerlein, whose caustic sarcasm
partakes at once of the humour of the devil and the hangman. Master
Hemmerlein, according to Frisch, had a face like a frightful mask; he
belonged to the lowest class of marionettes, under whose dress the
showman passes his hand to move them. This author adds that the name
of Hemmerlein was sometimes given to the public executioner, and that
it is applied to the devil in the _Breviarium Historicum_ of Sebald.
This will bear explanation. The word Hämmerlein or Hämmerling (the
latter is now the usual orthography) has three very distinct
meanings—a jack-pudding, a flayer, and a gold-hammer (bird). The
German headsman, in former days, combined with his terrible duties the
occupation of a flayer or knacker, charged to remove dead horses and
other carrion; hence he was commonly spoken of as Master
Hämmerlein.[7]
It is difficult to say by what grim mockery or strange assimilation his
name was applied to the buffoon of the puppet-show. We have little
information, however, concerning Hämmerlein the droll, who appears to
have had but a short reign when he was supplanted by the famous
_Hanswurst_, to whom out-spoken Martin Luther compared Duke Henry of
Brunswick. “Miserable, choleric spirit” (here Martin addresses himself
to Satan), “you, and your poor possessed creature Henry, you know, as
well as all your poets and writers, that the name of _Hanswurst_ is not
of my invention; others have employed it before me, to designate those
rude and unlucky persons who, desiring to exhibit finesse, commit but
clumsiness and impropriety.” And that there might be no mistake as to
his application of the word, he adds: “Many persons compare my very
gracious lord, Duke Henry of Brunswick, to _Hanswurst_, because the said
lord is replete and corpulent.” One of the consequences in Germany of
Luther’s preachings, and of the more fanatical denunciations of some of
his disciples and cotemporaries, was terrible havoc amongst church
pictures and statues, including automatical images and groups, then very
numerous in that country, and an end was at that time put to dramatic
church ceremonies, not only in districts that embraced the new doctrine,
but in many that adhered to Rome. Some of the performances were of the
most grotesque description. They were particularly frequent in Poland,
Public-domain text, read in full here on John Shaqi.
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