Blackwood's Edinburgh Magazine, Vol. 75, No. 463, May, 1854Various
History
Blackwood's Edinburgh Magazine, Vol. 75, No. 463, May, 1854
Various
England -- Periodicals; Scotland -- Periodicals
To shrine that page of history in song,
And utter such tremendous cadences,
That the mere babe who hears them at the breast,
_Sans_ comprehension, or the power of thought,
Shall be an idiot to its dying hour!
I deemed my verse would make pale Hecate’s orb
Grow wan and dark; and into ashes change
The radiant star-dust of the milky-way.
I deemed that pestilence, disease, and death
Would follow every strophe—for the power
Of a true poet, prophet as he is,
Should rack creation!
If this view of the powers of poets and poetry be correct, commend us to
the continuance of a lengthened period of prose!
Firmilian then begins to look about him for a new subject, and a new
course of initiative discipline. Magic first occurs to him—but he very
speedily abandons that idea, from a natural terror of facing the fiend,
and a wholesome dread of the Inquisition. He admits having made already
one or two experiments in that line, and narrates, with evident horror,
how he drew a chalk circle in his apartments, kindled a brazier, and
began an incantation, when suddenly a lurid light appeared in the
sockets of a skull upon the shelf, and so nearly threw him into
convulsions that he could barely mutter the exorcism. (It appears, from
another part of the poem, that this exploit had been detected by his
servant, a spy of the Inquisition, in consequence of his having
neglected to erase the cabalistic markings in chalk, and was of course
immediately reported.) At last he determines to fall back upon
sensuality, and to devote his unexampled talents to a grand poem upon
the amours of the Heathen deities. He states, with much show of truth,
that the tone of morals which an exclusively classical education is apt
to give, cannot but be favourable to an extensive and sublime erotic
undertaking—and that the youthful appetite, early stimulated by the
perusal of the Pantheon, and the works of Ovid, Juvenal, and Catullus,
will eagerly turn to anything in the vernacular which promises still
stronger excitement. We shall not venture, at the present, to apply
ourselves seriously to that question.
Public-domain text, read in full here on John Shaqi.
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