The events which succeeded this fortunate capture are too well known to require more than a very brief recapitulation. The same evening a truce was agreed upon between Houston and Santa Anna, the latter sending orders to his different generals to retire upon San Antonio de Bexar, and other places in the direction of the Mexican frontier. These orders, valueless as emanating from a prisoner, most of the generals were weak or cowardly enough to obey, an obedience for which they were afterwards brought to trial by the Mexican congress. In a few days, two-thirds of Texas were in our possession. The news of these successes brought crowds of volunteers to our standard. In three weeks, we had an army of several thousand men, with which we advanced against the Mexicans. There was no more fighting, however, for our antagonists had had enough, and allowed themselves to be driven from one position to another, till, in a month's time, there was not one of them left in the country. The Struggle was over, and Texas was Free! * * * * * CLITOPHON AND LEUCIPPE. When enumerating (in our number for July, last year) the principal Greek romances which succeeded the _Ethiopics_ of Heliodorus, we placed next to the celebrated production of the Bishop of Trica in point of merit (as it is generally held to have been also in order of time) the "Adventures of Clitophon and Leucippe," by Achilles Tatius. Though far inferior, both in the delineation of the characters and the contrivance of the story, to the _Ethiopics_, (from which, indeed, many of the incidents are obviously borrowed,) and not altogether free from passages offensive to delicacy, "Clitophon and Leucippe" is well entitled to a separate notice, not only from the grace of its style and diction, and the curious matter with which the narrative is interspersed, but from its presenting one of the few pictures, which have come down to these times, of the social and domestic life of the Greeks. In the _Ethiopics_, which may be considered as an _heroic_ romance, the scene lies throughout in palaces, camps, and temples; kings, high-priests, and satraps, figure in every page; the hero himself is a prince of his own people; and the heroine, who at first appears of no lower rank than a high-priestess of Delphi, proves, in the sequel, the heiress of a mighty kingdom. In the work of Achilles Tatius, on the contrary, (the plot of which is laid at a later period of time than that of its predecessor,) the characters are taken, without exception, from the class of Grecian citizens, who are represented in the ordinary routine of polished social existence, amidst their gardens of villas, and occupied by their banquets and processions, and the business of their courts of law. There are no unexpected revelations, no talismanic rings, no mysterious secret affecting the fortunes of any of the personages, who are all presented to us at the commencement in their proper names and characters.