Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846Various
History
Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846
Various
England -- Periodicals; Scotland -- Periodicals
The view afforded by the valley in question, upon that pleasant May
morning, was indeed of almost unparalleled loveliness. The sun, which
had already risen behind the eastern hills, but not yet surmounted them,
threw its first rays across their summits, and illuminated the opposite
mountains, bathing their pinnacles in a golden glow, whilst their lower
steeps remained in comparative darkness. In the depths of the valley the
last shades of twilight still seemed to linger, and masses of thin grey
vapour rolled in billows over the rich vegetation and vivid verdure of
the fields. The most fantastic variety of form was exhibited by the
surrounding mountain wall; here it rose in turrets and towers, there
spread out into crags, then again fell in blank abrupt precipices, their
edges fringed with shrubs, the recesses of their sides sheltering
wild-flowers of the most varied hues, whose sprays and blossoms waved in
the sweet breath of morning. Equally varied, and as delicately
beautiful, were the ethereal tints of the mountain tops, to which the
cloudless sky seemed to impart a tinge of its azure. On the edge of a
ravine, midway up a mountain, were seen a few crumbling walls, and a
fragment of a broken tower, sole remains of some ancient stronghold,
which, centuries before, had frowned over the vale. The hut of a
goatherd or charcoal-burner, here and there dotted the hill-side; and at
the southern limit of the valley, just before its change of direction
took it out of sight of the convent, were visible the houses of a small
hamlet, surrounded by plantations, and half buried amidst blossoms of
the tenderest rose-colour and most dazzling white. Masses of beech and
ilex clothed the lower slopes of the mountains, and from out of their
dark setting of foliage the grey walls of the Dominican convent arose
like a pale and shadowy spectre. The fresh brightness of spring was the
characteristic of the whole scene; the year seemed rejoicing in its
youthful vigour, and to express its delight by millions of mute voices,
which spoke out of each leaf and twig that danced in the breeze. Nor
were other and audible voices wanting. The lark was singing in the sky,
the grasshopper had begun its chirp, the rills and rivulets that
splashed or trickled from the hills, gave out their indistinct murmur;
whilst, heard far above these voices of nature, the toll of the matin
bell resounded through the valley, calling the devoutly disposed to
their morning thanksgiving.
Public-domain text, read in full here on John Shaqi.
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