We conclude in the words we used on _this day twenty-two years_, on
Jan. 1, 1826, immediately after the cessation of the dreadful panic
of December 1825:--"It may be that the Ministry is right, and that
all these changes are wise and necessary, but we cannot discover it.
The more accurately we examine, the more firmly we are convinced of
the truth of our own opinions. Time has brought no refutation to us,
whatever it may have done to those from whom we differ; in so far as
experiment has gone, we may point to it in triumph in confirmation
of our principles and predictions. If at the last we be proved to be
in error, we shall at least have the consolation of knowing that we
have not erred from apostasy; that we have not erred in broaching new
doctrines and schemes, and supporting innovation and subversion; that
we have not erred in company with the infidel and revolutionist,--with
the enemies of God and man. We shall have the consolation of knowing
that we have erred in following the parents of England's greatness,--in
defending that under which we have become the first of nations, and in
protecting the fairest fabric that ever was raised under the face of
heaven, to dispense freedom and happiness to our species. Our error
will bring us no infamy, and it will sit lightly on our ashes when we
shall be no more!"
SOMETHING LIKE A COUNTRY-HOUSE.
THERE is an ancient mansion we often go to, just where the hills of
Herefordshire rise confounded with those of Radnor, built in the reign
of James I., but in a style that tells of the traditions of rather an
earlier epoch, and, as common report goes, due to the genius of Inigo
Jones. It is erected in a long line east and west, with the principal
fronts north and south; on either side of the mansion prim-looking
gables rise over the windows of the third storey, and stately chimneys
keep guard on the roof above. The windows are all ample, well and fitly
monialled and transomed. The colour of the stone is a rich warm-tinted
gray, passing on the southern front into orange-shades of glorious hue;
and the whole edifice wears the aspect of nobility and good taste.
Ample gardens with terraces and lawns are spread around, and the tall
avenue of limes that leads down from the ancient gates on the main
road, is answered by a goodly belt of contemporaneous oaks and beeches
circling round the gardens, and shutting them out from the rest of
the estate. When you enter the great hall, you observe large square
bay windows, and, in the recesses, deer-skins spread out for carpets,
with halberts and other arms filling up the corners. The lower rooms
are all wainscoted with black oak, and the furniture, mostly as old
as the mansion itself, is of that solid stately kind which befitted
the dignified style in which our ancestors gloried to live. As you
mount the ample stairs, you find yourself amidst an endless series of
portraits, from the time of the bluff tyrant King Hal, down to the
Public-domain text, read in full here on John Shaqi.
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