Alfieri was probably as vain in reality as Rousseau; but he knew better how to conceal it. He had not the folly of supposing that he could entertain women by the boastful detail of his conquests over them. He judged wisely, and more like a man who had met with _bonnes fortunes_, that he would attain more effectually the object of interesting their feelings, by painting their conquests over him. He has done this so fully, so sincerely, and with such eloquence, that he has made one of the most powerful pieces of biography in any language. Its charm consists in the picture he has drawn, with equal truth and art, of a man of the most impetuous and ardent temperament, alternately impelled by the strongest passions which can agitate the breast--love and ambition. Born of a noble family, inheriting a great fortune, he exhibited an uncommon combination of patrician tastes and feelings with republican principles and aspirations. He was a democrat because he knew the great by whom he was surrounded, and did not know the humble who were removed to a distance. He said this himself, after witnessing at Paris the horrors of the 10th August.--"Je connais bien les grands, _mais je ne connais pas les petits_." He drew the vices of the former from observation, he painted the virtues of the latter from imagination. Hence the absurdity and unnatural character of many of his dramas, which, to the inhabitant of our free country, who is familiar with the real working of popular institutions, renders them, despite their genius, quite ridiculous. But, in the delineation of what passed in his own breast, he is open to no such reproach. His picture of his own feelings is as forcible and dramatic as that of any he has drawn in his tragedies; and it is far more truthful, for it is taken from nature, not an imaginary world of his own creation, having little resemblance to that we see around us. His character and life were singularly calculated to make such a narrative interesting, for never was one more completely tossed about by vehement passions, and abounding with melodramatic incidents. Alternately dreaming over the most passionate attachments, and labouring of his own accord at Dante fourteen hours a-day; at one time making love to an English nobleman's wife, and fighting him in the Park, at another driving through France with fourteen blood horses in harness; now stealing from the Pretender his queen, now striving to emulate Sophocles in the energy of his picture of the passions, he was himself a living example of the intensity of those feelings which he has so powerfully portrayed in his dramas. It is this variety, joined to the simplicity and candour of the confessions, which constitutes the charm of this very remarkable autobiography. It could have been written by no one but himself; for an ordinary biographer would only have described the incidents of his life, none else could have painted the vehement passions, the ardent aspirations, from which they sprang.