From the _Life of Lord Byron_ which Moore has published, it may be
inferred that the latter acted wisely in consigning the original
manuscript of the noble poet's autobiography to the flames. Assuming
that a considerable part of that biography is taken from what the noble
bard had left of himself, it is evident that a more complete detail of
his feelings and motives of action would have done anything rather than
have added to his reputation. In fact, Moore's _Life_ has done more
than anything else to lower it. The poetical biographer had thought and
sung so much of the passions, that he had forgot in what light they
are viewed by the generality of men; he was so deeply imbued with the
spirit of his hero, that he had come to regard his errors and vices as
not the least interesting part of his life. That they may be so to that
class of readers, unhappily too extensive, who are engaged in similar
pursuits, is probably true; but how small a portion do these constitute
of the human race, and how weak and inaudible is their applause when
compared to the voice of ages! What has become of the innumerable
licentious works whose existence in antiquity has become known from
the specimens disinterred in the ruins of Herculaneum? Is there one of
them which has taken its place beside the _Lives of Plutarch_? Whatever
is fetid, however much prized at the moment, is speedily sunk in the
waves of time. Nothing permanently floats down its stream but what is
buoyant from its elevating tendency.
Public-domain text, read in full here on John Shaqi.
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