Blackwood's Edinburgh Magazine, Volume 67, Number 414, April, 1850Various
History
Blackwood's Edinburgh Magazine, Volume 67, Number 414, April, 1850
Various
England -- Periodicals; Scotland -- Periodicals
I was amused with my landlord's oration, when I entered his shop and
presented my billet. He first read it, then looked at me. "Ah," said
he, "in _your_ face, now, I see something, Monsieur, which tells me we
shall find you an agreeable inmate. The last Englishman I had conducted
himself so badly, I was forced to pitch him out of the window." My
landlord had a great penchant, like other Frenchmen of that day, for
conversing on the subject of duelling. Asked me if the English did
not decide their duels with pistols--were they good shots? I told him
the famous wager that had come off not long before, when a crack shot
betted to hit with a pistol nineteen oranges out of twenty thrown up
in the air--missed the first on purpose to increase the odds--hit the
other nineteen. This brought out the Gascon. I had told something
extraordinary, he must cap it. "But, Monsieur," said he, "we have, in
this place, persons who can hit a butterfly on the wing." (_Qui tuent
un papillon volant!_) He gave me some account of a partisan, who had
been active against the English. "Monsieur, he's as brave as a lion; in
one word, he's as brave as I am myself," (_à tout dire, il est brave
comme moi_.) One difference between a Gascon and the rest of the world
I conceive to be this--that, when other people utter an extravagant or
bombastic speech, they generally utter it in a joke; but when a Gascon
exaggerates or romances, he speaks with perfect seriousness, and so
expects to be taken.
This evening, though, I made a most agreeable discovery. Jones had
found stable-room for Sancho in the yard of an inn near my billet.
After dinner I stepped out, feeling it necessary, from previous
observation, to see that Sancho had his. On reaching the inn-yard, the
first thing I saw was just what one often sees at home about suburban
public-houses, a party holding an open-air compotation, standing. It
was a party of three--an English soldier, an English groom, and a
Portuguese youth of twenty, dressed as much like the groom as possible.
They stood in a triangle, noses all pointing to the common centre
of gravity. Each held a glass, and the English servant a bottle. He,
I concluded, "stood it." The soldier was Jones. He was rhetorically
holding forth; the other two were earnest listeners--his theme, the
battle of Vittoria. My approach broke up the party. I walked direct
into Sancho's stable; found his crib empty--no appearance of corn. This
might have been accounted for, by supposing the corn already consumed;
but Jones couldn't keep his own counsel. He soon put the matter beyond
all doubt by rushing in with a sieve-full, which he shot out under the
pony's nose, and sedulously dispersed with his hand. The other two went
into their own stable: the English groom, I observed, touching his hat.
I had seen him somewhere before, but didn't remember, at the moment,
time or place.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account