London (England) -- Social life and customs -- Fiction
"I cannot help it. Fate--fate," he muttered; and at last, after
mastering the intense desire to rush off and try and bribe the servants
into speaking, he grew calmer, and obeyed the summons sent by the maid,
joining his aunt and sister in the drawing-room, and afterwards formally
taking the old lady down to the silent meal.
Poor Aunt Grace's plan was not succeeding.
"Don't speak to him, Laura," she had said. "It will show how we despise
him for his disgraceful conduct, and make him the sooner come creeping
to our knees in sackcloth and ashes."
But the days had glided on, and Chester had bought no sackcloth and had
not told the cook to sift him any ashes. For the perfect silence with
which he was treated was the one great satisfaction now of his life.
That night he found his sister watching him once, and as he met her eyes
there was for the moment a feeling of uneasiness akin to remorse; but it
passed off directly, swept away by the exciting thought that he had at
last attained the goal of his desires, and must now sooner or later
encounter Marion.
A week then passed, and he was still no farther, when one evening as he
turned into Highcombe Street, he saw a carriage at the door; and a
minute later three ladies in evening dress came and stepped in, the
footman mounted to his place, and the horses sprang off.
"The brougham I was fetched in," muttered Chester, and hailing a cab he
said sharply, "Follow that carriage at a short distance till I tell you
to stop."
He was not surprised at the direction taken by the carriage in front,
which was kept just in sight till it turned into Bow Street, when
Chester signed to his driver to stop, and sprang out, turning the corner
just in time to see the carriage slowly passing in its turn through the
gateway leading under the portico of the opera.
He followed to find that the occupants had alighted, and upon entering
the lobby he caught sight of the back of Marion's dress as she swept
through one of the great baize-covered doors.
Here there was a check. The door-keeper held out his hand for the
customary ticket, and Chester turned impatiently away, to go to the
box-office, when for the first time it struck him that he was not in
evening dress, and could not pass into the stalls.
He stood biting his lips, and hesitating as to whether he should take a
cab back home, to dress, and return, but he felt that he could not do
that. A dozen things might happen to prevent his catching sight of
Marion again; and snatching at the first idea that came, he took a
ticket for the upper part of the house, hired an opera-glass and then
climbed nearly to the top.
Here upon taking a seat he came out again in despair. Even with the aid
of the glass he found he could not get a glimpse of a third of the
house, and feeling that at all costs he must get into the stalls in as
central a position as possible, he descended again to the box-office,
and secured a stall nearly in the centre of the third row.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account