Illegitimate children -- Fiction; Man-woman relationships -- Fiction; Middle West -- Fiction
In the end it was wise that she did not deny these moods when they
came to her and did not try to control them. From them she rose
calm and clear-headed, charged with newly stored courage. They were
spiritual baths, which cleaned her, a sort of self-asserting prayer.
When they had gone not a vestige of rebellion was left in her; she felt
grown in stature, ready to carry her fate like a flag. For a day or two
afterward she would be sentimental and overfull of feeling. She would
go out of her way to help beggars and walk a block to give dimes to
the hurdy-gurdy man; and comfort the little girls in the filing room
if they weren’t feeling well, or had just been called down by the head
clerk.
One thing that these rituals of solitary suffering gave her was the
buoyant, happy consciousness of artistic power, and she longed to
return to painting. Until now it had seemed impossible. She could
not command the space, the office robbed her of daylight, materials
were too costly. Now she began to dream of creating a studio--the
opportunity to work might be managed somehow, once she had acquired
the facilities. She saved more sedulously, giving up a part of
her pleasures, an occasional new book and a theatre now and then,
furbishing clothes for herself despite her hatred of the needle.
XVII
The floors were done and dry. Elsie Jennings, who had come in to
help, was putting the third coat of black upon the new book-shelves,
and Moira was waiting for the delivery of her three last pieces of
furniture, which completed the picture, for a time at least. Whether
they came as they had been promised or not, the house-warming party
was to be held that evening, with Elsie, Jade Sommers, and Arthur, her
husband.
Arthur Sommers she had met as a printing salesman, visiting her office,
and later had run across with Jade in a restaurant. He was a good sort,
in his early thirties, jovial and proud of his plain citizenship,
inclined to stoutness and much in love with his wife, the story writer.
Elsie ran a shop in which she sold hand-made novelties and small house
furnishings, that caught the sightseers from the States and uptown
with their faintly futurist air. It was a Saturday in the Spring, and
had the party been postponed two days it might have celebrated Moira’s
birthday. But she did not divulge that fact.
“There,” said Elsie, “it’s done. And I think three coats will be
enough.”
“Not so bad,” replied Moira. She stood making an inspection of her
nearly finished home. The apartment itself was a discovery--quite a
bargain--one huge room with tall windows, and a tiny bedroom and bath
and kitchen closet, in an old five-story house, occupied by a small
army of nondescript tenants.
“How good you look to me, old barn!” was her fervent thought, which
Elsie, watching her, divined. “If those chairs don’t come pretty soon,”
she went on aloud, “they won’t come at all, and somebody will have to
sit on the floor. I’m going out to shop for food.”
Public-domain text, read in full here on John Shaqi.
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