"If you go home now the whole 'Purple Slipper' will go into cold storage
until you come back," Mr. Vandeford growled at her, and the effort it
took not to hold on to her with bodily fingers was a great strain. "I
told you the usual situation because I felt that you were clever enough
to make the best of it and help the play a lot. No author ever has seen
a play produced as he wrote it, and he has to stand seeing everybody
take a whack at it, from the producer to the man who takes the tickets
at the front door. I've got a good playwright shut up until Friday
rewriting 'The Purple Slipper'; then I'm going to work at it myself and
let Miss Hawtry write in all the things she wants to say, and cut out
all the things she doesn't. After that, I'm going to turn it over to
Bill Rooney, who was born in a barrel down on the wharf and educated in
the gutter, but who is the best and highest-priced stage director in New
York. He'll do innumerable things to it while he's 'setting it,' as he
calls getting it ready for rehearsals. All the actors and actresses will
be allowed at times to butcher and scalp their parts and everybody will
stab. And if you are a plucky girl you'll sit still and see it done.
There will come lots of times that everything you suggest, even very
timidly, will be thrust down your throat; but if they are vital they
will get under the hide of Bill and opening night you'll see that your
pluck has put a lot into the whole thing and that the mutilated and
dressed-up play is still your child. Will you trust me and sit in with
me and help me make 'The Purple Slipper' go?"
"I do! I will!" answered Miss Adair, with her head in the air and the
Adairville roses flaunting themselves in her face. And as she spoke she
offered him her slim, long-fingered, white little hand that his
completely engulfed as, answering a signal, Valentine turned the car
back toward Forty-second Street. "If I've got to have thorns stuck in me
and then cut out I'm mighty glad you'll be there."
"Yes, I'll be there," he answered her softly, as he released her hand at
least two seconds sooner than he was really obliged to, though he
himself could not have said why he did it. He felt like a grown person
who frightens a child with a bear tale to make it cuddle to his own
strength in the firelight.
Then followed a day in the offices of Mr. Godfrey Vandeford, Theatrical
Producer, which, up to that time, could not have been duplicated on
Broadway and perhaps never will be, though the results may have the
effect of--but that was all in the future of the theatrical business at
that time.
Public-domain text, read in full here on John Shaqi.
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