In dealing with the selection of men for a crew he has to consider
various points. He has to calculate for what seats such and such an
oarsman will be available, as regards weight and capacity generally for
the seat. He has to bear in mind the date of the race for which he is
preparing his men; many an oarsman may be admittedly unfit for a seat if
the race were rowed to-morrow, and yet he may show promise of being fit
for it six months hence. A may be better than B to-day; but A may be an
old stager hardened in certain faults, and of whom no hope can now be
entertained that he will suddenly reform. B may be as green as a
gooseberry, and yet the recollection of what he was two or three weeks
ago, compared to what he is now, may warrant the assumption that by the
day of the race, some time hence, B will have become the better man of
the two.
A coach who takes a crew in hand halfway through their preparation
should be prepared to hear evidence as to what was the standard of merit
of certain men some time back, compared with their present form;
otherwise he may delude himself as to the relative merits and prospects
of the material which he has to mould into shape.
Just as orators are said to learn at the expense of their audience, so
coaches do undoubtedly learn much at the expense of the crews which they
manage. Many a coach will agree that he has often felt in later years
that, if he had his time over again with this or that oarsman or crew,
he would now form a different judgment from what he formerly did.
In concluding this chapter we cannot do better than extract from Dr.
Warre's treatise on Athletics certain aphorisms for the benefit of
coaches, which he has tersely compiled under the head of 'Notes on
Coaching':
NOTES ON COACHING.
In teaching a crew you have to deal with--
A. Crew collectively.
B. Crew individually.
A. _Collective._
1. _Time._--_a._ Oars in and out together. _b._ Feather, same
height; keep it down. _c._ Stroke, same depth; cover the blades,
but not above the blue.
2. _Swing._--_a._ Bodies forward and back together. _b._ Sliders
together. _c._ Eyes in the boat.
3. _Work._--_a._ Beginning--together, sharp, hard. _b._ Turns of
the wrist--on and off of the feather, sharp, but not too soon.
_c._ Rise of the hands--sharp, just before stroke begins. _d._
Drop of the hands--sharp, just after it ends.
_General Exhortations._--'Time!' 'Beginning!' 'Smite!' 'Keep it
long!' and the like--to be given at the right moment, not used
as mere parrot cries.
B. _Individual._
1. Faults of position. 2. Faults of movement.
N.B.--These concern body, hands, arms, legs, and sometimes head
and neck.
1. Point out when you easy, or when you come in, or best of all,
in a gig. Show as well as say what is wrong and what is right.
N.B.--Mind you are right. _Decipit exemplar vitiis imitabile._
Public-domain text, read in full here on John Shaqi.
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