Bobbie, General Manager: A NovelProuty, Olive Higgins
General
Bobbie, General Manager: A Novel
Prouty, Olive Higgins
Families -- Fiction; New England -- Social life and customs -- 20th century -- Fiction
I was rather disappointed in the appearance of number 204. It was a big
brick building and not at all my idea of a College Dormitory. It was
just as plain and ordinary as it could be, with the door opening right
square on to the brick sidewalk, and a horrid little tailor-shop and
drug-store opposite. I didn't know what I ought to do. The big front
door was wide open, and I could see into the hall. It looked like a
prison--all brick and masonry, and bare granolithic stairs with an iron
railing. I didn't know whether to go in or not. If there had been a
policeman in sight I would have asked his advice, or an old lady, or
a girl, but there was only a very good-looking young man on the other
side of the street, so I rang the bell and waited. No one came. I rang
again; I rang that old bell--at least I pushed the button--six times!
No one answered, so I finally started up the stairs. Perhaps I was
waiting at the basement door (the interior certainly looked like a
cellar) and the parlours or reception-rooms were possibly on the floor
above. It was while I was standing, hesitating on the second landing,
gazing up interminable flights of cement stairs and brick walls,
wondering how in the world I could dig Oliver out of such a tomb, that
a door opened somewhere up above and down those stairs--bump-bump,
clappity-clap, pell-mell, like ten barrels falling down one over
another, shouting, laughing, guffawing--I heard what I thought must be
a regiment charging down upon me. I drew back a little into the corner
and suddenly four men--four stunning young college men appeared before
me.
They all stopped shouting as if I had been a vision, and though they
didn't say a word I could feel they observed me with a start of
surprise as if young ladies in their corridors were a great curiosity.
I blushed for no particular reason; they passed on quietly down the
stairs; and would have left me there without a word if I hadn't spoken.
"Excuse me," I said to the back of the last young man. "Could you tell
me--I'm sorry to stop you--but does Oliver Vars room here?"
They all halted and looked up at me. I blushed worse than ever. I
suddenly felt as if I ought not to have been there, and though the
young men were just as courteous and polite as they could be I was
awfully embarrassed.
"Why, yes, he does room here," said the young man nearest me, taking
off his hat. "Did you want to see him?"
"Yes," I stammered. "It's--it's very important. I'm sorry but I--"
"That's all right," he assured me quickly, for I guess he heard my
voice tremble; "I'll find him for you." And oh, he had the nicest,
straightest, cleanest look. "You go on," he said to his friends; "I'll
be with you in a minute." Then to me, "Vars rooms here, but I am about
sure he's out now. If you'll come with me perhaps--Must you see him
right off?" he inquired.
"Oh, yes, thank you. I must. I _must_! I've come on the train to see
him. I've got to see him if I sit here and wait for him."
Public-domain text, read in full here on John Shaqi.
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