Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villagesKellogg, Charlotte
History
Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villages
Kellogg, Charlotte
Brussels lace committee; Lace and lace making -- Belgium
We went first to Alost itself, the center of the area, where, however,
modern industries have won their already oft-repeated victory over the
lace. It was in Alost, the 16th of November, 1918, that my car had
scarcely been able to push its way between the two lines of Belgian
soldiers of deliverance holding back the smiling, tearful population,
and where, too, I passed Burgomaster Max free after four years in
prison in Germany, on his way to King Albert at the Army Headquarters
near Ghent.
A short distance south of Alost we passed Haltaert, from which this
lace section might more justly take its name, since in Haltaert there
is scarcely a household without its needle or bobbin workers. And but
a little farther south lay Kerxken, which even in the rain, looked a
friendly village and where beside fully three-fourths of the windows
women were plying their needles.
Before the war companies of the men of this region went to France to
work in the harvest, as many as 40,000 migrating annually, because even
before the war, France was short-handed agriculturally and the French
fields offered higher wages than their own. The women and girls helped
those who remained to gather the crops, and in the fall, when the
men came back and the season for working the farms had passed, whole
families turned to lace-making as a means of piecing out the gains of
the summer. Sometimes the men cared for the children or assisted with
the housework so that the women might sit uninterruptedly before their
patterns, and in certain instances they themselves made lace—the
census of 1896 lists 117 men lace-workers in Belgium. In Kerxken we
found that thirty young men who had been silk weavers before the war
had during the occupation been able to make lace—not true lace, but
such imitations as filet, really a form of embroidery. They made, too,
Application, not genuine Application where true lace details, made
either with the bobbin or needle, are sewed upon the tulle base, but
tulle ornamented with machine-made lacets, narrow braids of various
sorts that come to the region from Calais. Lacets usually have a strong
thread along one edge, which can be drawn so that the braid may be more
swiftly fashioned into curving leaves or flowers. These distressing
imitations, which unfortunately pay much better than the true laces,
since they can be made with great speed and find a ready market, are a
constant menace to them. “_Voilà notre ennemie!_” said Madame Allard,
as we looked into a work-room where the table showed little piles of
lacet collars. The only method of fighting this enemy is through higher
wages for the genuine lace.
Public-domain text, read in full here on John Shaqi.
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