Moy Thomas was an excellent judge of what a play ought to be, and
understood also the sort of treatment best suited to the public for whom
he wrote. For many years he wrote the dramatic notices for the _Daily
News_. In those far-off days it had a literary staff, the character of
which was not second to that of any morning journal. Thomas’s articles
were remarkable for their admirable lucidity, sound judgment, and
polished literary style. He also provided the dramatic notices for the
_Graphic_.
“Willie” Wilde, whom I have just mentioned in connection with the burly
Joseph Knight, was a determined first-nighter. He was an exceedingly
talkative man, and he talked so very well that one did not care to stop
his agreeable chatter even when it was inconveniently out of place. One
evening I happened to occupy a stall next to that of a then well-known
gentleman of the Jewish persuasion who commenced in Fleet Street as an
advertising canvasser, and subsequently blossomed into a newspaper
proprietor, although the newspaper in question was, to quote the immortal
excuse of the wet-nurse in “Mr. Midshipman Easy,” “a very little one.” I
imagine he has done well, for the last time I saw him he was lolling back
in a victoria, and driving down Portland Place with the air of a man who
owned all the houses on both sides. On the occasion to which I allude,
he had not as yet arrived at the victoria stage. Indeed, he had been
released from gaol that very morning. He had been remanded in custody on
a charge of a commercial kind; but being now out on bail, and having none
of that supersensitiveness which would characterize a Gentile similarly
situated, he celebrated his release by taking his wife to the theatre.
Wilde was sitting immediately behind the pair, and next to William
Mackay, to whom, as the play proceeded, he indulged in a series of
humorous commentaries. Our hero, being very intent on the play—an
opera-bouffe—became at last annoyed by the chatter behind him, and,
turning round to Mackay, who had not uttered a word, said in a voice
audible all over the place:
“I wish, sir, you’d make less noise.”
Mackay, conscious of innocence and deeply resentful, turned to Wilde, and
observed audibly, with a touch of malice which was seldom absent from his
impromptus:
“Do keep quiet, Willie; you are annoying the occupant of the _adjoining
cell_.”
A London edition of the _New York Herald_ was published in the Strand at
the time when this little incident happened, and next morning the critic
of that journal, under the head of “An Incident,” tacked the story on to
his dramatic notice—names and all. He added the comment: “A word in
season, how good it is!”
Public-domain text, read in full here on John Shaqi.
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