Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
There are eight marble-top tables lining the two walls, and each table
is held sacred to its proper occupants, and likewise are the numbered
hooks and napkins. An invasion of these preserves is a breech of
etiquette intolerable in Bohemia.
Even the white cat is an essential part of the establishment, for it
purringly welcomes the patrons and chases out stray dogs.
Situated as it is, in a group of three theatres and several _café_s
chantants, it is the rendezvous of the actors and actresses of the
neighborhood. They hold the three tables but one from the kitchen, on
one side, and they are a jolly crowd, the actresses particularly.
[Illustration: 0157]
They are a part of the Quartier and echo its spirit. Although full of
mischief and fun, the actresses would never be suspected of singing
the naughty songs that so delight the gallery gods and so often wring
a murmur of protest from the pit. There are ten who dine here, but from
their incessant chatter and laughter you would think them twenty. On
Friday evenings, when the songs and plays are changed, they rehearse
their pieces at dinner.
[Illustration: 0159]
Bishop is openly fond of Mademoiselle Brunerye, a sparkling little
brunette singer, who scolds him tragically for drawing horrible
caricatures of her when he sits before the footlights to hear her sing.
But it is always she that begins the trouble at the theatre. If Bishop
is there, she is sure to see him and to interpolate something in her
song about "_mon amant Américain_," and sing it pointedly at him, to the
amusement of the audience and his great discomfiture; and so he retorts
with the caricatures.
Upon entering the restaurant the actresses remove their hats and wraps
and make themselves perfectly at home. They are the life of Darblay's;
we couldn't possibly spare them.
One of the actors is a great swell,--M. Fontaine, leading man at the
Théâtre du Montparnasse, opposite.
[Illustration: 9160]
His salary is a hundred francs a week; this makes the smaller actors
look up to him, and enables him to wear a very long coat, besides
gloves, patent-leather shoes, and a shiny top-hat. He occupies the place
of honor, and Marie smiles when she serves him, and gives him a good
measure of wine. He rewards this attention by depositing two sous in the
tip-box every Friday night. Then there are M. Marius, M. Zecca, and
M. Dufauj who make people scream with laughter at the Gaieté, and M.
Coppée, the heavy villain of the terrible eyes in "Les Deux Gosses," and
Mademoiselle Walzy, whose dark eyes sparkle mischief as she peeps
over her glass, and Mademoiselle Minion, who kicks shockingly high
to accentuate her songs, and eight other actresses just as saucy and
pretty.
Public-domain text, read in full here on John Shaqi.
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