Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
The blind musician is a kindly old man with a benevolent face and a
jovial spirit. He is the head professor of music at the Institution des
Aveugles, on the Boulevard des Invalides. His wife is very attentive to
him, taking his hat and cane, tucking his napkin under his chin, placing
the dishes where he knows how to find them, and reading the papers to
him. He knows where everybody sits, and he addresses each by name, and
passes many brisk sallies about the room.
One poet is vivacious, not at all like the dreamy species to which he
belongs. True, he wears long hair and a Quartier Latin "plug," but his
eyes are not vague, and he is immensely fond of Madame Darblay's beans,
of which he has been known to stow away five platefuls at a meal. Often
he brings in a copy of _Gil Bias_, containing a poem by himself in the
middle of the page and with illustrations by Steinlen.
A strange, solitary figure used to sit in one corner, speaking to no
one, and never ordering more than a bowl of chocolate and two sous of
bread. It was known merely that he was an Hungarian and an artist, and
from his patched and frayed clothes and meagre fare it was surmised that
he was poor. But he had a wonderful face. Want was plainly stamped upon
it, but behind it shone a determination and a hope that nothing could
repress. There was not a soul among the boarders but that would have
been glad to assist in easing whatever burden sat upon him, and no doubt
it was his suspicion of that fact and his dread of its manifestation
that made him hold absolutely aloof. Madame Darblay once or twice made
efforts to get nearer to him, but he gently and firmly repulsed her.
He was a pitiable figure, but his pride was invincible, and with eyes
looking straight forward, he held up his head and walked like a king. He
came and went as a shadow.
None knew where he had a room. There were many stories and conjectures
about him, but he wrapped his mantle of mystery and solitude about
him and was wholly inaccessible. It was clear to see that he lived in
another world,--a world of hopes, filled with bright images of peace and
renown. After a time his seat became vacant, and I shall presently tell
how it happened.
These will suffice as types of the Maison Darblay, though I might
mention old M. Decamp, eighty-four years of age, and as hearty and
jovial a man as one would care to see. In his younger days he had been
an actor, having had a fame during the Empire of Napoléon III. And there
were a professor of languages, who gave lessons at fifteen sous an hour,
a journalist of the _Figaro_, and two pretty milliner girls from the
shop next door.
Public-domain text, read in full here on John Shaqi.
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