Bohemianism -- Fiction; Love stories; Paris (France) -- Social life and customs -- 19th century -- Fiction
However Mademoiselle Musette was an exception to the women amongst whom
she lived. Of a nature instinctively elegant and poetical, like all
women who are really such, she loved luxury and the many enjoyments
which it procures; her coquetry warmly coveted all that was handsome and
distinguished; a daughter of the people, she would not have been in any
way out of her element amidst the most regal sumptuosity. But
Mademoiselle Musette, who was young and pretty, had never consented to
be the mistress of any man who was not like herself young and handsome.
She had been known bravely to refuse the magnificient offers of an old
man so rich that he was styled the Peru of the Chaussee d'Antin, and who
had offered a golden ladder to the gratification of her fancies.
Intelligent and witty, she had also a repugnance for fools and
simpletons, whatever might be their age, their title and their name.
Musette, therefore, was an honest and pretty girl, who in love adopted
half of Champfort's famous amphoris, "Love is the interchange of two
caprices." Thus her connection had never been preceded by one of those
shameful bargains which dishonor modern gallantry. As she herself said,
Musette played fair and insisted that she should receive full change for
her sincerity.
But if her fancies were lively and spontaneous, they were never durable
enough to reach the height of a passion. And the excessive mobility of
her caprices, the little care she took to look at the purse and the
boots of those who wished to be considered amongst them, brought about a
corresponding mobility in her existence which was a perpetual
alternation of blue broughams and omnibuses, first floors and fifth
stories, silken gowns and cotton frocks. Oh cleaning girl! Living poem
of youth with ringing laugh and joyous song! Tender heart beating for
one and all beneath your half-open bodice! Ah Mademoiselle Musette,
sister of Bernette and Mimi Pinson, it would need the pen of Alfred de
Musset to fitly narrate your careless and vagabond course amidst the
flowery paths of youth; and he would certainly have celebrated you, if
like me, he had heard you sing in your pretty false notes, this couplet
from one of your favorite ditties:
"It was a day in Spring
When love I strove to sing
Unto a nut brown maid.
O'er face as fair as dawn
Cast a bewitching shade,"
The story we are about to tell is one of the most charming in the life
of this charming adventuress who wore so many green gowns.
Public-domain text, read in full here on John Shaqi.
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