"Oh, that's all right," Peters replied. "I'm not hankerin' after 'em.
Just thought I'd take a few of 'em along to get 'em out of the way. Joe,
if you happen down in my range drap in and see Nan's boy. Tickle you
mighty nigh to death."
He slouched away, and the shoemaker resumed his work. I had been sitting
there in a strong draught of the town's atmosphere, with two characters
for my play; and, taking my leave, I felt that I hugged a greater
possession than Peters had found when he tied the boots together and
threw them across his shoulder.
CHAPTER XV.
OLD AUNT PATSEY.
Like a boy in his yearning to have Santa Claus come, I went early to bed
to force the dawning of another day. I resorted to the tricks that men
have employed to induce drowsiness; I counted sheep bounding over a
fence, a hundred, a thousand, until their number exceeded the
Patriarch's fold, and yet I lay there wide awake, with my nerves
starting at every noise, before it reached my ears. I strove to trace
the filmy thread that lies between consciousness and sleep, and I
fancied that it was a raveling from a rainbow, with one end in the
sunset, the other in the sunrise. I reached a place where the thread was
broken and now the world was dark, but, feeling about, I found the two
ends of the silken line, and put them together, and when they touched,
the world flashed up in a blaze of light--the sun was shining.
No exact hour had been fixed for the meet at the Senator's house, and I
was beset by the fear that a desire not to be early might make me late.
Common sense dictated a middle resort, but in my nervous anxiety I had
no common sense. Why so sensitive and timorous now when I had been so
bold a few days before? I had promised the negro preacher and myself
that this day should see the end of a relationship.
I set out earlier than the time I had fixed, expecting to loiter along
the road, to breathe sweet air beneath the roses that hung above the old
garden walls; but, giving no heed to the roses, I passed them hurriedly,
as a hasty reader skips a beautiful sentence in eagerness to snatch the
excitement of a closing scene. I passed the lamp-post and thought of the
negro's black hand, a knot on the iron; I came abreast of the old
chimney and the thicket, the lair of the goblins at night. And here I
halted to gaze at the Senator's house, the pillared portico, the cool
yard, the martin box on a tall pole, the magnolia garden. And now my
progress toward the gate was slow, with the minute and senseless
observation of little things; a bit of sheep's wool on a brier bush; an
old shoe half buried in the sandy drain beside the road; the heavy
gate-latch, made by a clumsy blacksmith; the uneven bricks in the short
walk between the gate and the portico; a stone and a shell on the step,
where someone had cracked a nut.
Public-domain text, read in full here on John Shaqi.
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