Bonnie Scotland and what we owe herGriffis, William Elliot
History
Bonnie Scotland and what we owe her
Griffis, William Elliot
Scotland; Scotland -- Description and travel
It is well to stop awhile at Glamis Castle, not that it was the scene
of the murder of Duncan, but it has plenty of fascinating lore of its
own, besides having Macbeth as a tenant.
It was at Glamis Castle, in 1745, that Bonnie Prince Charlie slept on
one night, to be succeeded on the next by the Duke of Cumberland, who
occupied the very same room. The housekeeper conducts the visitor over
the historic and antique portion of the castle, and the place is well
worth seeing, for it makes the past seem very real. Moreover, though
such sight-seeing does not supply facts, in place of Shakespeare’s
creation, it helps to the enjoyment of the truth personified. We may
delight in facts, for they are necessary; but truth is more. Whatever
the facts concerning the historical Macbeth, they were long ago
“stranded on the shore of the oblivious years.” They were, but the
truth was, and is, and is to come. Human nature is the one thing that
changes not, and that eternal element Shakespeare pictured.
We were visiting Dunkeld, in company with a party of pretty maidens and
rosy-cheeked Scottish youth from Dundee, seeing its cathedral, ruins,
waterfalls, and modern products, when we first realized that we were
in the land of Macbeth. Immediately, all the useful and statistical
data, gathered up on that August day, and even the fact that Dunkeld,
now having fewer than a thousand people, was once a bishopric, seemed
to fade into insignificance compared with the value and importance of
the imaginary--the world outside of history and of science. We looked
southward to see Birnam wood, whose trees and branches were to move to
Dunsinane in the Scotland hills and fulfil the sinister prophecy of the
witches.
Later on, we found comrades for a walk to Dunsinane Hill, which is
only twelve miles northwest of Dundee. All who have read Shakespeare
know that this was the scene of the closing tragedy in the play of
“Macbeth.” We pass red-roofed cottages, and the ruins of an old feudal
stronghold. It is a square tower, having walls of immense thickness,
with the deep, well-like dungeon, cut into the rock, down which the
keeper lowers for you a lighted candle. In place of the old arched
floors, which added strength and solidity to the tower walls, there
are platforms reached by stairways. Ascending to the top of the tower
and emerging by a doorway to the bartizan on the outside, we have a
most magnificent view of the wide-spreading valley of the Tay, with its
manifold tokens of a rich civilization, lying like a panorama at our
feet. One of these is Kinaird Castle, which belonged to a family which,
having taken the wrong side in the uprising of 1715, had their lands
forfeited.
Public-domain text, read in full here on John Shaqi.
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