Again, the book-plates of 'The Manchester Subscription Library,' 'The
Manchester Circulating Library,' and 'The Rochdale Circulating Library'
all show interiors of libraries, but free from allegoric inmates. These
three book-plates are nearly identical. There are shelves of books at
the sides, a tiled floor, a table in the foreground, a panelled ceiling
with a cornice; and, at the end of the room, perhaps a passage. There is
a round arch containing a window of three lights, the centre one having
a round top. The general appearance of the room is classical Very
similar is the book-plate of the Liverpool Library. Here we have a
complicated Chippendale bookcase, with ten columns upon square bases,
and ornamental capitals of no particular style. The shelves are filled
with books, and the two central divisions of the bookcase are all
cupboards. In the centre of the case, among Chippendale scrolls, is the
crest of the town, and below the central division of the bookcase are
the words 'Liverpool Library' in two lines. Below the whole is a large
cartouche, in the same style as the rest of the plate, inscribed,
'Allowed for reading . . . . days. Forfeiture, . . . d. per day.' Mr.
J. Paul Rylands, in his interesting _Notes on Book-Plates_, tells us
that this library, now the Lyceum, was founded on the 1st of May 1758;
the book-plate was, no doubt, engraved soon afterwards, as all the
ornamentation introduced is certainly 'Chippendale.' So, too, is that on
the book-plate engraved by John Pine in 1750, which the Benchers of
Gray's Inn used for their volumes. Here a shell-shaped shield, bearing
the arms of the 'Learned and Honourable Society,' is apparently fastened
on to a background of book-shelves filled with books. So much for the
'Library Interiors.' The arrangement of the volumes in the other
book-plates in which books form the chief feature of decoration, is
generally like that shown opposite in the book-plate of William Hewer, a
Commissioner of the Navy, and the friend and secretary of Samuel Pepys.
How the scroll, on which are either the owner's arms or his name, is
supported, is not clear.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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