Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump;: Being a First Selection from the Literary Remains of George Boon, Appropriate to the TimesWells, H. G. (Herbert George)
Philosophy
Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump;: Being a First Selection from the Literary Remains of George Boon, Appropriate to the Times
Wells, H. G. (Herbert George)
English fiction -- 20th century; Satire
There was also, I remember, a description of the whole party running
for early coffee, which gave Boon ample and regrettable opportunities
for speculations upon the _déshabille_ of his contemporaries. Much of
the detail of that invention I prefer to forget, but I remember Mr.
Shaw was fully prepared for the emerging with hand-painted pyjamas,
over which he was wearing a saffron dressing-gown decorated in green
and purple scrolls by one of the bolder artists associated with Mr.
Roger Fry, and as these special train allusions are all that I can
ever remember Boon saying about Shaw, and as the drawing does in
itself amount to a criticism, I give it here....
[Illustration: _How Mr. Shaw knocked them all on Bâle platform, and
got right into the middle of the picture. Remark his earnest face.
This surely is no mountebank._]
§ 2
Boon was greatly exercised over the problem of a president.
"Why have a president?" Dodd helped.
"There must be a Presidential Address," said Boon, "and these things
always do have a president."
"Lord Rosebery," suggested Wilkins.
"Lord Morley," said Dodd.
"Lord Bryce."
Then we looked at one another.
"For my own part," said Boon, "if we are going in for that sort of
thing, I favour Lord Reay.
"You see, Lord Reay has never done anything at all connected with
literature. Morley and Bryce and Rosebery have at any rate written
things--historical studies, addresses, things like that--but Reay has
never written anything, and he let Gollancz make him president of the
British Academy without a murmur. This seems to mark him out for this
further distinction. He is just the sort of man who would be made--and
who would let himself be made--president of a British affair of this
sort, and they would hoist him up and he would talk for two or three
hours without a blush. Just like that other confounded peer--what was
his name?--who bored and bored and bored at the Anatole France
dinner.... In the natural course of things it would be one of these
literary lords...."
"What would he say?" asked Dodd.
"Maunderings, of course. It will make the book rather dull. I doubt if
I can report him at length.... He will speak upon contemporary
letters, the lack of current achievement.... I doubt if a man like
Lord Reay ever reads at all. One wonders sometimes what these British
literary aristocrats do with all their time. Probably he left off
reading somewhere in the eighties. He won't have noted it, of course,
and he will be under the impression that nothing has been written for
the past thirty years."
"Good Lord!" said Wilkins.
"And he'll say that. Slowly. Steadily. Endlessly. Then he will thank
God for the English classics, ask where now is our Thackeray? where
now our Burns? our Charlotte Brontë? our Tennyson? say a good word for
our immortal bard, and sit down amidst the loud applause of thousands
of speechlessly furious British and American writers...."
"I don't see that this will help your book forward," said Dodd.
Public-domain text, read in full here on John Shaqi.
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