He, too, sought--with as little fundamental sincerity as Laurindo
Rabello--solace in the monastery, which he entered at the unmonastic
age of twenty as the result of being crossed in love. Of course
he thought first of suicide, but “the cell of a monk is also a
grave,”--and a grave, moreover, whence the volatile soul of youth may
rise in carnal resurrection. Junqueira Freire was the most bookish of
children. He read his way through the Scriptures, Horace, Lucretius,
Ovid (an unbiblical trio!) and imbibed modern currents through Milton,
Klopstock, De Maistre, Herculano, Garrett, Lamartine, Hugo. His prose
critiques are really remarkable in so young a person, and one sentence
upon philosophy is wiser by far than many a tome penned by the erudite.
Philosophy he found to be a “vain poetry, not of description but of
ratiocination, nothing true, everything beautiful; rather art than
science; rather a cupola than a foundation.” Such a view of philosophy
is of course not new, though it is none too current. It is brilliant
for a mere youth of Romanticist Brazil--an intuitive forecast, as it
were, of Croce’s philosophy of the intuition.
Soon weary of the cloister walls, our poet sang his disillusionment
in lines that turn blasphemous, even as the mother in _Meu filho no
claustro_ curses the God that “tore from my arms my favorite son.…”
“We all illude ourselves!” “We conceive an eternal paradise and when
greedily we reach after it, we find an inferno.”
He is, as an artist, distinctly secondary. He is more the poet in his
prose than in his poems, and I am inclined to think that his real
personality resides there.
Casimiro de Abreu, in Carvalho’s words, “is the most exquisite singer
of _saudades_ in the older Brazilian poetry;[11] his work is a cry of
love for all that lay far away from him, his country and his family,
whom he left when but a child.”
Meu Deus, eu sinto e tu bem ves que eu morro
Respirando este ar;
Faz que eu viva, Senhor! dá-me de novo
Os gozos de meu lar!
Quero dormir a sombra dos coqueiros,
As folhas por docel:
E ver se apanho a borboleta branca
Que voa no vergel!
Quero sentar-me a beira do riacho
Das tardes ao cahir,
E sosinho scismando no crepusculo
Os sonhos de porvir!
Dá-me os sitios gentis onde eu brincava,
Lá na quadra infantil;
Da que eu veja uma vez o céu da patria
O céu do meu Brazil!
Minha campa será entre as mangueiras
Banhada ao luar,
Eu contente dormirei tranquillo
A sombra do meu lar!
As cachoeiras chorarão sentidas
Porque cedo morri,
E eu sonho ne sepulcro os meus amores,
Na terra onde nasci![12]
Public-domain text, read in full here on John Shaqi.
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