Brenda's Ward: A Sequel to 'Amy in Acadia'Reed, Helen Leah
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Brenda's Ward: A Sequel to 'Amy in Acadia'
Reed, Helen Leah
Boston (Mass.) -- Juvenile fiction; Young women -- Juvenile fiction
Martine did not care at this moment to give her precise opinion of
Angelina's dramatic ability.
"But you see, this must have cost you a great deal, and you ought to
save your money--everybody ought, and life is more serious--there,
Angelina--I'll leave it all to mamma. She'll advise you," concluded
Martine, feeling that she was getting into deep water, in advocating
principles that she herself had not always been able to live up to.
The experience of that memorable Saturday, combined with the advice
given by Mrs. Stratford, so far influenced Angelina that for the time
she devoted herself exclusively to her household duties, ceased to take
elocution lessons, and began to save money. At first she offered to pay
Martine a dollar a week, but when the latter learned that Angelina had
other debts, she urged her to consider them first.
"I can wait," she said, "and when you have finished paying for that pink
satin dress--it would be a good idea for you to make your mother a
present."
Nora Gostar, who always kept closely in touch with the Rosas at their
home in Shiloh, had asked Martine to influence Angelina to do more for
her family.
"Ever since the Four Club years ago began to help the Rosas, Angelina
has taken it for granted that the public would look after them. It is
true that on the whole they are now fairly prosperous. With her boarders
and her garden Mrs. Rosa makes both ends meet, and John always has
something to spare for his brothers and sisters. It is only Angelina who
seems ready to escape all responsibility. You will remind her, won't
you, Martine?"
"Yes," said Martine, "but some people say I haven't enough sense of
responsibility myself."
"My dear, then no one has observed you lately. You certainly have taken
hold splendidly of the girls in your painting class. Two or three of
them, you know, have been called 'hard cases.' No one else ever could
interest them, and yet they seem perfectly devoted to you."
"Oh, they are so amusing," said Martine, "that I can't help throwing
myself into the work, and then I find out what they want to do, and let
them do it. It's silly to make people do things they dislike. Of
course," she added, with some embarrassment, "I am aware that this
wouldn't be the right principle if I were a real artist, and were trying
to make artists out of them. Some of them can't even draw, but they do
take an interest in color, and so I am always hunting for good pictures
in black and white--and their color effects sometimes are quite
wonderful."
Martine did not explain that not a little of her own pocket money was
spent for pictures suitable to her rather original method of conducting
the class. Photographs and lithographs cost money, and though Amy
remonstrated that it was contrary to art to gild the lily, Martine
replied that the end would justify her means.
Public-domain text, read in full here on John Shaqi.
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