The best and most striking feature in the whole church is the north
porch,[7] a most elaborate structure of red, grey, and white marble, to
which a drawing without colour can hardly do justice. It is supported
upon detached marble shafts, whose bases rest upon the backs of rather
grand-looking lions, curiously grouped with children and cubs. Above the
arches which rest upon these shafts, and which, though circular, are
elaborately cusped, is another stage divided by columns and trefoiled
arches into three spaces, the centre of which is occupied by a noble
figure of a certain Duke Lupus on horseback, with a saint on either side
in the other divisions. All the shafts except those in the upper
division are of red marble; the highest stage of all is entirely of grey
marble; in the middle stage all the moulded parts are of red, and the
trefoiled arches and their spandrels of grey marble; the space at the
back of the open divisions and the wall over the main arches of the
porch are built in courses of red and white marble. All the groining is
divided into diamond-shaped panels, composed alternately of black, red,
and white marble, all carved in the same kind of pattern. In the great
arch of the porch the outer moulding is of red marble, and all the
cusping of grey. The construction of the whole is obviously very weak,
and depends altogether for its stability upon iron ties in every
direction.
The approach to the porch, by seven steps formed alternately of black
and white marble, increases the impressiveness of the grand doorway, in
front of which it is built, the whole of which is of white marble, whose
carved surfaces and richly moulded and traceried work have obtained a
soft yellow colour by their exposure to the changing atmosphere, and are
relieved by one--the central--shaft being executed in the purest red
marble. There are three shafts in each jamb, carved, twisted, or moulded
very beautifully. These shafts are set in square recesses, ornamented,
not with mouldings, but with elaborate flat carvings, in one place of
saints, in another of animals, and with foliage very flat in its
character, and mainly founded on the acanthus.
Public-domain text, read in full here on John Shaqi.
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