One of the most remarkable brasses in existence is that of Sir John d’Aubernoun, in Stoke d’Aubernoun Church, near Guildford, Surrey (Fig. 113). It is the earliest known example of this form of monumental effigy either in the British Isles or on the Continent, and dates from about the year 1277, the fifth of Edward I. It is to be noted that it is unique among the brasses of this reign by reason of the knight being represented with straight lower limbs, the remainder all having the cross-legged position. Although the figure is somewhat disproportionate, and the partial covering up of the lower parts of the legs by the surcoat is unfortunate, yet as a work of art, and especially as an example of technique and patience on the part of the engraver, it is unrivalled. Every separate link of the mail is faithfully represented. The reinforcement of the chain mail by secondary defences is here exemplified in its primitive stage, a pair of genouillières only appearing, which from their ornamental appearance are presumably of cuir-bouilli, or of plate covered with cuir-bouilli. The reason for the introduction of this defence was not alone the protection afforded: the intolerable drag of chain mail upon the knee or elbow when flexed prevented freedom of action in either joint; but by the termination of the mail at the upper part of the genouillière to which it was affixed, and the continuation of it below, an advantage was gained which was fully appreciated. The coif-de-mailles upon the head descends to the shoulders on either side and covers part of the surcoat, while the hauberk has sleeves which are prolonged to cover the hand with mail gauntlets, not divided for the fingers. The mail chausses are continued like the sleeves of the hauberk, in order to protect the feet as well as the legs. Over the mail appears a loose surcoat reaching to below the knees and confined at the waist by a cord, from below which it opens in front and falls on either side in many folds, being also divided at the back to facilitate riding. It does not bear any ornament or design, but apparently is of rich material, and has a fringed border. The sword is long and straight, with short quillons drooping towards the blade; the grip is slightly swelling, and the circular pommel is enriched with a design. The method of suspending the sword is peculiar to the period: it grips the scabbard in two places, between which a small strap runs as a guide; the weapon thus hangs diagonally across the left front of the figure. The guige bearing the shield is enriched with roses alternating with the mystical cross (signifying good fortune and long life) termed the Fylfot, Gammadion, or Svastika, in which each arm of a Greek cross is continued at right angles; it passes over the right shoulder, and supports a small, flat, heater-shaped shield, upon which the arms appear (_azure_, a chevron, _or_). The spurs are the usual short ones of the pryck variety affixed by ornamental straps. The lance