The singular excellence shown by Mr. Browere in his new method of executing Portrait busts from the life deserves the applause and patronage of his countrymen. The bust of La Fayette, which he has just finished, is an admirable demonstration of his talent in this department of the Fine Arts. The accuracy with which he has moulded the entire head, neck and shoulders from the life and his skill in finishing, render this bust greatly superior to any we have seen. It is in truth a “faithful and a living likeness.” Of this I may judge having twice painted the General’s portrait from the life, once at Paris and recently at Washington. REMBRANDT PEALE. Samuel Finley Breese Morse was, at the period of which we write, an artist of some reputation as a portrait-painter, and he was under commission, from the corporation of New York, to paint a whole-length portrait of La Fayette for the City Hall, where it now hangs. Its chief interest is as a study of costume; for if Browere’s bust is “a perfect facsimile” of La Fayette’s form and features, true to life, Morse’s portrait is a caricature. That Morse was destined to greater ends than painting mediocre portraits, was shown, a decade later, by his invention of the magnetic electric telegraph, a discovery of such importance that while millions of human beings know Morse the inventor, not a dozen perhaps ever heard of Morse the painter. He damns his own portrait of La Fayette by the following commendation of Browere’s bust: NEW YORK August 15, 1825. Being requested by Mr. Browere to give my opinion of his bust or cast from the person of General La Fayette, I feel no hesitation in saying it appears to me to be a perfect facsimile of the General’s face. SAML. F. B. MORSE. These are certainly strong words coming from a rival artist and a man of Mr. Morse’s character. John A. Graham, who published a volume to prove that Horne Tooke was the author of the Letters of Junius, was one of the leading lawyers of New York. His closing words of eulogy upon the bust of La Fayette should have been, but unfortunately were not, prophetic. He wrote: “I have no doubt that the name of Browere, in virtue of this bust, will live as long as the memory of La Fayette shall be beloved and respected in America.” On the contrary, the name of Browere was wholly and entirely forgotten and unknown, until brought to light, and publicly proclaimed, by the present writer, in the fall of 1897. So much for the stability of man’s reputation! [Illustration] X _De Witt Clinton_ When Samuel Woodworth, the author of the well-known lines to the “Old Oaken Bucket,” who was a close friend of Browere, entered the artist’s workshop and caught a glimpse of the bust of De Witt Clinton, he made a gesture, as of restraint, and pronounced these impromptu lines: