Browere's Life Masks of Great AmericansHart, Charles Henry
History
Browere's Life Masks of Great Americans
Hart, Charles Henry
Browere, John Henri Isaac, 1792-1834; Masks (Sculpture); Sculpture, American; United States -- Biography -- Portraits
About this period Boydell was in the midst of the publication of his
great Shakespeare gallery, to which the first artists of the day
contributed, and Stuart was commissioned by the Alderman, to paint, for
the gallery, portraits of the leading painters and engravers who were
engaged upon the work. Thus, for Boydell, he painted the superb
half-length portraits of his master West, and of the engravers Woollett
and Hall, now in the National Portrait Gallery, St. Martin’s Place,
London. He painted, also for Boydell, his own portrait, and portraits of
Reynolds, Copley, Gainsborough, Ozias Humphrey, Earlom, Facius, Heath,
William Sharp, Boydell himself, and several others. Stuart was an
intimate friend of John Philip Kemble, and painted his portrait several
times; one picture is in the National Portrait Gallery, and another, as
_Richard III._, which has been engraved by Keating, did belong to Sir
Henry Halford.
Other prominent sitters to Stuart in London were Hugh, Duke of
Northumberland, the Lord Percy of the Battle of Bunker Hill; Admiral Sir
John Jervis, afterward Earl St. Vincent; Isaac Barré; Dr. Fothergill,
and the Dukes of Manchester and of Leinster. From these names alone it
can be seen that Stuart was in touch with persons of the highest
consideration, and they were not only his patrons, but his friends. He
kept open house, dispensing a princely hospitality. The story has been
handed down that he led off with a dinner of forty-two, composed of the
choice spirits of the metropolis. He was so charming as a host, and had
gathered together such delightful guests, that it was suggested the same
party should meet frequently, which proposition Stuart accepted, by
arranging that six of them should dine with him each day of the week,
without special invitation, the six first arriving to be the guests of
the day, until the entire forty-two had again warmed their legs under
his mahogany. Such prodigality as this, for a young artist, shows what
Stuart’s temperament was, and points as surely to the pauper’s grave as
though it was there yawning open before him.
Stuart was five feet ten inches in height, with fine physique, brown
hair, a ruddy complexion, and strongly marked features. He dressed with
elegance, which was possible at that period, and notwithstanding his
biting sarcasm, keen wit, and searching eye, was a great favorite with
the fair sex. In his thirty-first year he selected Miss Charlotte
Coates, the daughter of a Berkshire physician, for his partner through
life, and on May 10, 1786, they were married.
Public-domain text, read in full here on John Shaqi.
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