drunkard, of contemporary biography has been substituted the pioneer and martyr of science, failing, but on account of the magnitude of his designs; recognizing even in defeat the divine nature of the mission entrusted to his charge. For an Andrea del Sarto--to a less profound student of character appearing as "an easy-going plebeian" satisfied with a social life among his compeers, as an artist "resting content in the sense of his superlative powers as an executant"--is offered the Andrea of the poem bearing his name; a sometime aspiring nature, now embittered by the struggle, wellnigh ended within the soul, between yearnings towards future greatness and the desire for present gain; a nature of insight sufficient to realize that the bonds of materialism are galling, of moral force inadequate to effect their rupture. The more subtle, the more outwardly misleading the character, the stronger the attraction it would appear to have borne for Browning. It is no matter for surprise that in _Prince Hohenstiel Schwangau_ he should have devoted over 2,000 lines to a study of that mysterious, if disappointing, figure in European politics of the middle of the last century--"at once the sabre of revolution and the trumpet of order." And if conflicting elements of character constituted the main attraction of the personality of Napoleon III, a similar cause of fascination, as we have already noticed, exists in the instance before us; viz., the possibility of reconciling the extreme opinions professed in matters of Church ritual and doctrine, with the erudition, the political ability, and width of intellectual outlook notably characteristic of Cardinal Wiseman. I. For avoidance of misunderstanding as to the intention of the Apology it is well to read the Epilogue as Prologue, although, even with this introduction, it is not easy to decide how far the speaker is serious in his assertions--a definite answer to the question would probably have presented (so Browning would suggest) some difficulty to the Bishop himself.