Browning and His CenturyClarke, Helen A. (Helen Archibald)
Philosophy
Browning and His Century
Clarke, Helen A. (Helen Archibald)
Browning, Robert, 1812-1889; Nineteenth century; Poets, English -- 19th century -- Biography
It must be remembered, however, that he is not in either class of the
supernatural mystic, one of which supposes truth to be gained by a fixed
supernatural channel, the other that it is gained by extraordinary
supernatural means. On the contrary, truth comes to Browning in pursuance
of a regular law or fact of the inward sensibility, which may be defined
in his case as a mode of intuition. His intuition of God, as we have seen,
is based upon the feeling of love both in its human and its abstract
aspects.
But this is not all. Upon the intellectual side Browning accepted the
conclusions of scientific investigation as far as phenomena were
concerned, and while he denied its worth in giving direct knowledge of the
Absolute, he recognized it as useful because of its very failure in
strengthening the sense of the existence of a power transcending human
conception. "What is our failure here but a triumph's evidence of the
fulness of the days?" And, furthermore, with mystic love already in our
hearts, all knowledge that the scientist may bring us of the phenomena of
nature and life only adds immeasurably to our wonder and awe of the power
which has brought these things to pass, thus "with much more knowledge"
comes "always much more love."
Once more, the poet's mysticism is tempered by a tinge of idealism. There
are several passages in his poems, notably one already quoted from Furini,
which show him to have had a perception of God directly through his own
consciousness by means of what the idealist calls the higher reason. His
perception, for instance, that whatever takes place within the
consciousness had its rise without and that this external origin emanates
from God is the idealist's way of arriving at the absolute.
Thus we see that into Browning's religious conceptions enter the
intuitions of the artistic consciousness as illustrated in Paracelsus
where God is the divine artist joying in his creations, the intuitions of
the intellect which finds in the failure of knowledge to probe the secrets
of the universe the assurance of a transcendent power beyond human ken,
the intuition of the higher reason which affirms God is, and the
intuitions of the heart which promise that God is love, through whom is
to come fulfilment of all human aspirations toward Beauty, Truth, and Love
in immortality.
If these are all points which have been emphasized, now by one, now by
another, of the vast array of thinkers who have crowded the past century,
there is no one who to my knowledge has so completely harmonized the
various thought tendencies of the age, and certainly none who has clothed
them in such a wealth of imaginative and emotional illustration.
Public-domain text, read in full here on John Shaqi.
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