World War, 1914-1918 -- Personal narratives, British
The next night we went through all the approved formula for going into
the trenches. Started at dusk, and got into our respective mud cavities
a few hours later. I went all round the trenches again, looking to see
that things were the same as when I left them, and, on the Colonel's
instructions, started a series of alterations in several gun positions.
There was one trench that was so obscured along its front by odd stumps
of trees that I decided the only good spot for a machine gun was right
at one end, on a road which led up to Messines. From here it would be
possible for us to get an excellent field of fire. To have this gun on
the road meant making an emplacement there somehow. That night we
started scheming it out, and the next evening began work on it. It was a
bright moonlight night, I remember, and my sergeant and I went out in
front of our parapet, walked along the field and crept up the ditch a
little way, considering the machine-gun possibilities of the land. That
moonlight feeling is very curious. You feel as if the enemy can see you
clearly, and that all eyes in the opposite trench are turned on you. You
can almost imagine a Boche smilingly taking an aim, and saying to a
friend, "We'll just let him come a bit closer first." Every one who has
had to go "out in front," wiring, will know this feeling. As a matter of
fact, it is astonishing how little one can see of men in the moonlight,
even when the trenches are very close together. One gets quite used to
walking about freely in this light, going out in front of the parapet
and having a look round. The only time that really makes one
apprehensive is when some gang of men or other turn up from way back
somewhere, and have come to assist in some operation near the enemy.
They, being unfamiliar with the caution needed, and unappreciative of
what it's like to have neighbours who "hate" you sixty yards away,
generally bring trouble in their wake by one of the party shouting out
in a deep bass or a shrill soprano, "'Ere, chuck us the 'ammer, 'Arry,"
or something like that, following the remark up with a series of
vulcan-like blows on the top of an iron post. Result: three star shells
soar out into the frosty air, and a burst of machine-gun fire skims over
the top of your head.
Public-domain text, read in full here on John Shaqi.
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