France -- Politics and government -- 19th century -- Fiction; French fiction -- Translations into English
Joseph Godard, a cousin of Mitral on the mother’s side, made pretension
to the hand of Mademoiselle Baudoyer, not perceiving that her mother was
laying siege to Falliex as a son-in-law. He brought little gifts to the
young lady, artificial flowers, bonbons on New-Year’s day and pretty
boxes for her birthday. Twenty-six years of age, a worker working
without purpose, steady as a girl, monotonous and apathetic, holding
cafes, cigars, and horsemanship in detestation, going to bed regularly
at ten o’clock and rising at seven, gifted with some social talents,
such as playing quadrille music on the flute, which first brought him
into favor with the Saillards and the Baudoyers. He was moreover a fifer
in the National Guard,--to escape his turn of sitting up all night in a
barrack-room. Godard was devoted more especially to natural history. He
made collections of shells and minerals, knew how to stuff birds, kept
a mass of curiosities bought for nothing in his bedroom; took
possession of phials and empty perfume bottles for his specimens; pinned
butterflies and beetles under glass, hung Chinese parasols on the
walls, together with dried fishskins. He lived with his sister, an
artificial-flower maker, in the due de Richelieu. Though much admired
by mammas this model young man was looked down upon by his sister’s
shop-girls, who had tried to inveigle him. Slim and lean, of medium
height, with dark circles round his eyes, Joseph Godard took little care
of his person; his clothes were ill-cut, his trousers bagged, he wore
white stockings at all seasons of the year, a hat with a narrow brim and
laced shoes. He was always complaining of his digestion. His principal
vice was a mania for proposing rural parties during the summer
season, excursions to Montmorency, picnics on the grass, and visits to
creameries on the boulevard du Mont-Parnasse. For the last six months
Dutocq had taken to visiting Mademoiselle Godard from time to time, with
certain views of his own, hoping to discover in her establishment some
female treasure.
Thus Baudoyer had a pair of henchmen in Dutocq and Godard. Monsieur
Saillard, too innocent to judge rightly of Dutocq, was in the habit of
paying him frequent little visits at the office. Young La Billardiere,
the director’s son, placed as supernumerary with Baudoyer, made another
member of the clique. The clever heads in the offices laughed much at
this alliance of incapables. Bixiou named Baudoyer, Godard, and Dutocq
a “Trinity without the Spirit,” and little La Billardiere the “Pascal
Lamb.”
“You are early this morning,” said Antoine to Dutocq, laughing.
“So are you, Antoine,” answered Dutocq; “you see, the newspapers do come
earlier than you let us have them at the office.”
“They did to-day, by chance,” replied Antoine, not disconcerted; “they
never come two days together at the same hour.”
The two nephews looked at each other as if to say, in admiration of
their uncle, “What cheek he has!”
Public-domain text, read in full here on John Shaqi.
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