Short stories; United States -- Social life and customs -- 20th century -- Fiction
The walk in front of Pearlie's house was guarded by a row of big trees
that cast kindly shadows. The strolling couples used to step gratefully
into the embrace of these shadows, and from them into other embraces.
Pearlie, sitting on the porch, could see them dimly, although they could
not see her. She could not help remarking that these strolling couples
were strangely lacking in sprightly conversation. Their remarks were but
fragmentary, disjointed affairs, spoken in low tones with a queer,
tremulous note in them. When they reached the deepest, blackest,
kindliest shadow, which fell just before the end of the row of trees, the
strolling couples almost always stopped, and then there came a quick
movement, and a little smothered cry from the girl, and then a sound, and
then a silence. Pearlie, sitting alone on the porch in the dark,
listened to these things and blushed furiously. Pearlie had never
strolled into the kindly shadows with a little beating of the heart, and
she had never been surprised with a quick arm about her and eager lips
pressed warmly against her own.
In the daytime Pearlie worked as public stenographer at the Burke Hotel.
She rose at seven in the morning, and rolled for fifteen minutes, and lay
on her back and elevated her heels in the air, and stood stiff-kneed
while she touched the floor with her finger tips one hundred times, and
went without her breakfast. At the end of each month she usually found
that she weighed three pounds more than she had the month before.
The folks at home never joked with Pearlie about her weight. Even one's
family has some respect for a life sorrow. Whenever Pearlie asked that
inevitable question of the fat woman: "Am I as fat as she is?" her
mother always answered: "You! Well, I should hope not! You're looking
real peaked lately, Pearlie. And your blue skirt just ripples in the
back, it's getting so big for you."
Of such blessed stuff are mothers made.
But if the gods had denied Pearlie all charms of face or form, they had
been decent enough to bestow on her one gift. Pearlie could cook like an
angel; no, better than an angel, for no angel could be a really clever
cook and wear those flowing kimono-like sleeves. They'd get into the
soup. Pearlie could take a piece of rump and some suet and an onion and
a cup or so of water, and evolve a pot roast that you could cut with a
fork. She could turn out a surprisingly good cake with surprisingly few
eggs, all covered with white icing, and bearing cunning little jelly
figures on its snowy bosom. She could beat up biscuits that fell apart
at the lightest pressure, revealing little pools of golden butter within.
Oh, Pearlie could cook!
On week days Pearlie rattled the typewriter keys, but on Sundays she
shooed her mother out of the kitchen. Her mother went, protesting
faintly:
"Now, Pearlie, don't fuss so for dinner. You ought to get your rest on
Sunday instead of stewing over a hot stove all morning."
Public-domain text, read in full here on John Shaqi.
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