strictly is the province of the Church, the Kirk endeavoured to control
and enforce by means of its own ecclesiastical courts.
Of these courts the first was the "Exercise," as it was at first quaintly
called, from the custom of "making exercise," or critically examining a
given passage of Scripture; more properly described as the Presbytery.
Next to this came the authority of the Synod, or district court, and the
final appeal lay to the General Assembly. Of these the higher courts not
infrequently did much more than exercise appellant jurisdiction, issuing
orders to spur on the zeal of the inferior ones.
The methods of punishment employed by the Kirk were various.
Excommunications were freely launched against offenders, especially
against those who did not accept in their fulness the teaching and
practices of the reformers. Public penance was also resorted to, often in
addition to some other form of punishment; the penance usually involving
the use of the "repentance-stool," or the jaggs, or jougs. The former of
these was a wooden structure formed in two tiers or steps, the lower of
which, used for less heinous offences, was named the "cock-stool." An
offender, judged to perform a public penance on this stool, was first
clothed in an appropriate habit, the Scottish representative of the
traditional white sheet, which consisted of a cloak of coarse linen, known
as the "harden goun," the "harn goun," or the "sack goun." Thus arrayed,
he (or she) stood at the kirk door while the congregation assembled and
during the opening prayer of the service; just before the sermon the
penitent was led in by the sexton and placed, according to the terms of
the sentence, either upon "the highest degree of the penitent stuill" or
upon, "the cock-stool"; where he stood barefoot and bare-headed during
the discourse, in which his sins and offences were not forgotten. The
congregation generally wore their hats during the sermon.
[Illustration: REPENTANCE STOOL, FROM OLD GREYFRIARS, EDINBURGH.]
Public-domain text, read in full here on John Shaqi.
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