Antonius, Marcus, 83 B.C.?-30 B.C. -- Drama; Caesar, Julius -- Drama; Cleopatra, Queen of Egypt, -30 B.C. -- Drama
As to Caesar himself, I have purposely avoided the usual anachronism
of going to Caesar's books, and concluding that the style is the man.
That is only true of authors who have the specific literary genius,
and have practised long enough to attain complete self-expression in
letters. It is not true even on these conditions in an age when
literature is conceived as a game of style, and not as a vehicle of
self-expression by the author. Now Caesar was an amateur stylist
writing books of travel and campaign histories in a style so
impersonal that the authenticity of the later volumes is disputed.
They reveal some of his qualities just as the Voyage of a Naturalist
Round the World reveals some of Darwin's, without expressing his
private personality. An Englishman reading them would say that Caesar
was a man of great common sense and good taste, meaning thereby a man
without originality or moral courage.
In exhibiting Caesar as a much more various person than the historian
of the Gallic wars, I hope I have not succumbed unconsciously to the
dramatic illusion to which all great men owe part of their reputation
and some the whole of it. I admit that reputations gained in war are
specially questionable. Able civilians taking up the profession of
arms, like Caesar and Cromwell, in middle age, have snatched all its
laurels from opponent commanders bred to it, apparently because
capable persons engaged in military pursuits are so scarce that the
existence of two of them at the same time in the same hemisphere is
extremely rare. The capacity of any conqueror is therefore more likely
than not to be an illusion produced by the incapacity of his
adversary. At all events, Caesar might have won his battles without
being wiser than Charles XII or Nelson or Joan of Arc, who were, like
most modern "self-made" millionaires, half-witted geniuses, enjoying
the worship accorded by all races to certain forms of insanity. But
Caesar's victories were only advertisements for an eminence that would
never have become popular without them. Caesar is greater off the
battle field than on it. Nelson off his quarterdeck was so quaintly
out of the question that when his head was injured at the battle of
the Nile, and his conduct became for some years openly scandalous, the
difference was not important enough to be noticed. It may, however, be
said that peace hath her illusory reputations no less than war. And it
is certainly true that in civil life mere capacity for work--the power
of killing a dozen secretaries under you, so to speak, as a
life-or-death courier kills horses--enables men with common ideas and
superstitions to distance all competitors in the strife of political
ambition. It was this power of work that astonished Cicero as the most
prodigious of Caesar's gifts, as it astonished later observers in
Napoleon before it wore him out. How if Caesar were nothing but a
Nelson and a Gladstone combined! a prodigy of vitality without any
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