Cairo to Kisumu : $b Egypt—The Sudan—Kenya ColonyCarpenter, Frank G. (Frank George)
History
Cairo to Kisumu : $b Egypt—The Sudan—Kenya Colony
Carpenter, Frank G. (Frank George)
Egypt -- Description and travel; Kenya -- Description and travel; Sudan -- Description and travel
The crowd in these streets is by no means all men, however. There are
women scattered through it, and such women! We look at them, and as their
large soulful eyes, fringed with dark lashes, smile back at us, we wish
that the veils would drop from their faces. The complexions which can be
seen in the slit in the veils are of all colours from black to brunette,
and from brown to the creamy white of the fairest Circassian. We are
not particularly pleased with their costume, but our dragoman tells us
that they dress better at home. The better classes wear black bombazine
garments made so full that they hide every outline of the figure. Some of
them have their cloaks tied in at the waist so that they look like black
bed ticks on legs. Here, as one raises her skirt, we see that she wears
bloomers falling to her ankles, which make us think of the fourteen-yard
breeches worn by the girls of Algiers. The poorer women wear gowns of
blue cotton, a single garment and the veil making up a whole costume.
Astride their shoulders or their hips some of them carry babies, many of
whom are as naked as when they were born.
[Illustration: The streets of old Cairo resound with the cries of vendors
of sweetmeats and drinks. Lemonade is dispensed from a great brass bottle
on the back of the seller, while around his waist is a tin tray of
glasses or cups.]
[Illustration: Over many warehouses, shops, and even stables of old Cairo
are homes of the well-to-do with marble floors covered with fine rugs.
The supporting arch is much used because long timbers are not available.]
Here is a lady with a eunuch, who, as black as your hat and as sombre as
the Sphinx, guards the high-born dame lest she should flirt with that
handsome young man from Tunis sitting cross-legged in the midst of his
bottles of attar of roses. He offers a bottle to the lady while he talks
of its merits in the most flowery terms. Here is a barefooted girl, who,
strange to say, has no veil over her face, but whose comely features
might be considered by a jealous lover to warrant such protection. Her
chin is tattooed and the nails of her fingers and toes are stained deep
orange with henna. She has a great tray on her head and is calling out
her wares in the strangest language: “Buy my oranges! They are sweet as
honey, and I know that God will make my basket light.”
This is in Arabic, and one hears the same extravagant sort of talk all
about him. Here two Turks meet and salute each other. They almost fight
in their struggle each to humble himself first by kissing the hand of the
other. After they have done so a third passes and they all say: “_Naharak
sayed_”—“May thy day be happy and blessed.” There are no more polite
people on earth than these Mohammedans, whose everyday talk is poetry.
Public-domain text, read in full here on John Shaqi.
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